本文選題：懷斯 + 寫實繪畫�。� 參考：《山東大學(xué)》2014年碩士論文

【摘要】：本文通過對安德魯·懷斯的創(chuàng)作過程和他繪畫中所使用的材料、作品的構(gòu)圖、色彩等抽象的繪畫語言進(jìn)行論述,闡明他寫實主義繪畫中的抽象性特征。 第一章,從懷斯的創(chuàng)作過程中我們會了解他重視心靈的表現(xiàn),把個人的情感與現(xiàn)實世界融合在一起,因此其作品中往往都具有隱喻和象征性特征。本文在論述過程中,對德國哲學(xué)家沃林格和國內(nèi)學(xué)者等人對抽象與移情的研究成果加以引證,對懷斯創(chuàng)作過程中,伴隨著抽象沖動的移情和伴隨著移情的抽象沖動現(xiàn)象,做進(jìn)一步闡釋。 第二章,主要通過對水彩、干筆和蛋彩材料的特性,以及懷斯對這些材料的選擇和探索的分析論證,同時結(jié)合對其具體作品形式特征的分析,論述懷斯對繪畫語言材料的選擇與他的生命經(jīng)歷和個人情感的關(guān)聯(lián)。進(jìn)而肯定了懷斯將具有抽象性特征的繪畫材料及表現(xiàn)性因素真正服務(wù)于他的創(chuàng)作初衷的價值和意義。 第三章,從三個方面論述了懷斯繪畫中構(gòu)圖的抽象性特征。首先第一節(jié),論述了懷斯繪畫中有抽象意味的構(gòu)圖形式。第二節(jié),圍繞抑制空間立體感,分析懷斯是如何把自己的寫實主義造型方式同現(xiàn)代抽象藝術(shù)表現(xiàn)理念相結(jié)合的。第三節(jié),對懷斯繪畫構(gòu)圖中抽象的兒何形結(jié)構(gòu)的由來與運用做了簡要論述。 第四章,論述了懷斯繪畫中獨特的色彩表達(dá)方式。第一節(jié),著重論述色彩所具有的抽象隱喻義,同時分析了懷斯在作品中對色彩隱喻性的巧妙運用。第二節(jié),通過對色彩的客觀再現(xiàn)與主觀表現(xiàn)進(jìn)行梳理和比較,論述懷斯對色彩的獨特認(rèn)識和理解,進(jìn)一步揭示懷斯繪畫中對色彩的抽象性表達(dá)的意義。
[Abstract]:In this paper, the abstract characteristics of Andrew Wise's realistic painting are expounded by discussing the process of his creation and the materials used in his paintings, composition of his works, color and other abstract painting languages. In the first chapter, from the process of Wise's creation, we will understand that Wise attaches importance to the expression of the mind and combines the personal emotion with the real world. Therefore, his works often have metaphorical and symbolic features. In the course of discussion, this paper cites the research achievements of German philosopher Wallinger and domestic scholars on abstract and empathy. In the process of Wise's creation, it is accompanied by the empathy of abstract impulse and the phenomenon of abstract impulse accompanying empathy. Give further explanation. The second chapter, mainly through the watercolor, dry pen and egg color material characteristics, as well as Wise's selection and exploration of these materials, and combined with the analysis of their specific works form characteristics, This paper discusses the relationship between Wise's choice of painting language materials and his life experience and personal emotion. Furthermore, it affirms the value and significance of Wise's painting materials and expressive factors which have abstract characteristics to serve his original intention of creation. Chapter three discusses the abstract characteristics of composition in Wise's painting from three aspects. The first section discusses the abstract form of composition in Wise's painting. In the second section, the author analyzes how Wise combines his realism modeling method with the concept of modern abstract art expression. In the third section, the origin and application of abstract structure in Wise's composition are briefly discussed. The fourth chapter discusses the unique expression of color in Wise's painting. The first section mainly discusses the abstract metaphorical meaning of color and analyzes Wise's skillful use of color metaphor in his works. In the second section, by combing and comparing the objective representation and subjective expression of color, the author discusses Wise's unique understanding and understanding of color, and further reveals the significance of the abstract expression of color in Wise's painting.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

【參考文獻(xiàn)】

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本文編號：1833908