本文選題：安格爾 + 繪畫��； 參考：《曲阜師范大學》2017年碩士論文

【摘要】：讓·奧古斯特·多米尼克·安格爾(Jean Auguste Dominique Ingres,1780—1867)是法國新古典主義繪畫最具盛名的代表人物之一。他出生于法國蒙托邦(Montauban),師從雅克·路易·大衛(wèi)(Jacques-Louis David,1748—1825)。他曾經(jīng)在意大利留學,他遨游在古典藝術(shù)的世界里,對文藝復興時期古典大師們的作品反復揣摩與研究。在這段時間里,安格爾對斐爾·桑西(Raphael,1483—1520)的經(jīng)典藝術(shù)產(chǎn)生了濃厚興趣,開始學習和研究他的藝術(shù)特點和風格。安格爾的繪畫吸收著文藝復興時期意大利繪畫的精髓,還吸納了古代繪畫方法的精華。畫工新穎精致、構(gòu)圖穩(wěn)定嚴謹、色彩細膩單純、形象高貴典雅。安格爾以新的姿態(tài)、獨具特色的繪畫特點享譽19世紀畫壇。安格爾的繪畫作品呈現(xiàn)出三個主要特征。第一個特征是淺浮雕式塑造,這是其繪畫獨特性的最突出標志。安格爾的繪畫造型打破了傳統(tǒng)“圓雕”的造型范式,在一定程度上進行適度的壓縮。主要從兩個方面進行壓縮:形體與光影起伏的壓縮;同時安格爾的繪畫造型在形態(tài)與解剖的處理上,采取個性化的手法,達到其特殊造型目標,使得繪畫造型呈現(xiàn)出淺浮雕式塑造的特點。通過這些方面的研究,對理解安格爾繪畫造型有重要的意義。第二個特征是平面化布局,他的作品呈現(xiàn)出不同于其他畫家追求空間感的一種“平面化”特征。安格爾在繼承傳統(tǒng)繪畫的基礎(chǔ)上,借鑒與運用了許多古代的繪畫方法,比如“正面律”、瓶畫、以及線面重疊;安格爾不追求空間上的錯覺,在“色平面”的處理上非常簡潔,這些簡潔的色平面布置與其造型特性相結(jié)合,導致空間上的縱深層次較少,呈現(xiàn)出非常明顯的“平面化”的特點;在透視方面,安格爾繼承了文藝復興時期的平行透視,在一定程度上進行了“非縱深”的處理。由于這些方面的共同作用,使畫面呈現(xiàn)出平面化的特征。通過這些方面的研究,有助于理解安格爾繪畫的形式結(jié)構(gòu)。第三個特征是靜態(tài)化意蘊,這正是新古典主義繪畫的典型性特征。安格爾的繪畫作品充滿了理性色彩,用嚴謹?shù)男螒B(tài)關(guān)系表達內(nèi)心的寧靜。在人物姿態(tài)方面,安格爾通過人物動勢各組間的力相互制約,達到一種對稱平衡;安格爾的人物姿態(tài)沿襲拉斐爾模式,遵循秩序化,將靜謐之美運用到自己的繪畫中。安格爾運用獨特的色彩,主張理智地描繪,營造著畫面的氛圍。安格爾繪畫中呈現(xiàn)的光影是安靜的、不強烈的,是柔和的,營造的視覺效果是靜謐的。通過這些方面的研究,可以更好地體味安格爾繪畫的審美效果。
[Abstract]:Jean Auguste Dominique Ingresin 1780-1867) is one of the most famous representatives of French neoclassical painting. He was born in Montaubanan, Montoon, France, and studied under Jacques Louis David Jacques-Louis David, 1748-1825. He studied in Italy. He traveled in the world of classical art and studied the works of the classical masters of the Renaissance. During this time Angel became interested in the classical art of Fiel Sansy Raphaeln 1483-1520 and began to study and study his artistic characteristics and styles. Angle's paintings absorbed the essence of the Italian painting of the Renaissance and the essence of the ancient painting methods. Painters novel and exquisite, composition stable and rigorous, delicate and simple colors, noble and elegant image. Angel is famous in the 19 th century for his new posture and unique painting features. Angel's paintings show three main features. The first characteristic is the shallow relief molding, which is the most outstanding symbol of its painting uniqueness. Angell's painting style broke the traditional "round carving" modeling paradigm, to a certain extent, moderate compression. Compression mainly from two aspects: the compression of shape and light and shadow ups and downs; at the same time, Angel's painting modeling in the shape and anatomy of the treatment, taking a personalized approach, to achieve its special modeling objectives, So that the painting model presents the characteristics of shallow relief molding. Through the study of these aspects, it is of great significance to understand Angel's painting modeling. The second feature is the planarization layout, which is different from other painters in their pursuit of space. On the basis of inheriting the traditional painting, Angel used many ancient painting methods, such as "front law", bottle painting, and line and surface overlap, Angel did not pursue the illusion of space, and was very concise in the treatment of "color plane". The combination of these simple color-plane arrangement and its modeling characteristics resulted in less depth in space, showing a very obvious characteristic of "planarization". In perspective, Angle inherited the parallel perspective of the Renaissance. To a certain extent, the "non-depth" treatment. Because of the joint action of these aspects, the picture presents the feature of flatness. Through the study of these aspects, it is helpful to understand the formal structure of Angel's paintings. The third characteristic is static meaning, which is the typical feature of neoclassical painting. Angell's paintings are full of rational colors, expressing inner tranquility with rigorous morphological relations. In the aspect of character posture, Angel restricts each other through the force of each group of characters, achieves a kind of symmetrical balance, and Angel's character posture follows the Raphael model, follows the order, and applies the beauty of tranquility to his painting. Angle uses the unique color, advocates the rational description, creates the picture atmosphere. The light and shadow presented in Angel's paintings are quiet, not intense, soft, and the visual effects created are quiet. Through the study of these aspects, we can better appreciate the aesthetic effect of Angel's painting.
【學位授予單位】：曲阜師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205

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