本文選題：花鳥畫 + 喜鵲　； 參考：《陜西師范大學(xué)》2014年碩士論文

【摘要】：“鵲”,即是紅嘴藍(lán)鵲、喜鵲和灰喜鵲,都是中國(guó)畫中喜聞樂見寓意吉祥的題材。在歷代繪畫中,表現(xiàn)“鵲”這種鳥類的題材的畫作有很多幅,甚至許多花鳥畫名家,也對(duì)“鵲”這一題材情有獨(dú)鐘。鵲的種類繁多,本文以紅嘴藍(lán)鵲為文案,對(duì)“鵲”有關(guān)的中國(guó)畫作整理,從“紅嘴藍(lán)鵲”這一物象,探討中國(guó)畫花鳥畫中的鳥的表現(xiàn)形式,及其演變過程和“鵲”對(duì)畫面構(gòu)成的影響。 通過歷代畫家對(duì)鵲的創(chuàng)作背景、材質(zhì)、造型、筆法、風(fēng)格、構(gòu)圖、畫面配景和作品整體寓意等方面進(jìn)行分析,研究“鵲”在畫面中的多種表現(xiàn)形式。并對(duì)每個(gè)時(shí)期的典型作品對(duì)比,分析“鵲”的演變過程,探討中國(guó)花鳥畫中對(duì)鳥的審美的變遷,從開始時(shí)的設(shè)色文麗典雅,三礬九染,發(fā)展到元代的墨花墨禽,水墨暈染,不賦一彩；從開始為皇家的繪畫,歌功頌德,到后來文人畫興起時(shí)的解放個(gè)性,肆意舒展筆意,借物抒情。 總之,從花鳥畫獨(dú)立出山水人物后,從“鵲”的演變可以看出花鳥畫的一步步發(fā)展和成熟�！谤o”這一題材,也是我創(chuàng)作的主體,從古代鵲的變化中得到啟示,提高了我的藝術(shù)修養(yǎng)和追求,對(duì)創(chuàng)作水平得到了提升。
[Abstract]:Magpies, that is, red-beaked blue magpies, magpies and gray magpies, are all auspicious themes in Chinese painting. In the painting of all dynasties, there are many paintings about birds such as "magpie", and even many famous artists of flower and bird paintings have a special interest in the subject matter of "magpie". There are many kinds of magpies. In this paper, we take the red mouth blue magpie as the copybook, sort out the Chinese paintings related to the "magpie", and discuss the expression forms of the birds in the Chinese paintings of flowers and birds from the "red mouth and blue magpie". And its evolution process and the influence of Magpie on the composition of the picture. By analyzing the creation background, material, modeling, stroke, style, composition, scene matching and the whole meaning of the work of the magpie, this paper studies the various forms of expression of the magpie in the picture. Comparing the typical works of each period, this paper analyzes the evolution process of "Magpie", and probes into the aesthetic changes of birds in Chinese flower and bird painting. From the beginning, the color setting is elegant and elegant, the three alum is nine dyed, and the ink birds of the Yuan Dynasty develop into the ink birds of the Yuan Dynasty, and the ink is faintly dyed. Not a color; from the beginning for the royal painting, eulogy, to later literati painting when the rise of the liberating personality, wantonly stretch the pen meaning, borrow things to express feelings. In short, from the flower and bird painting independent landscape figures, from the evolution of "magpie" can be seen the development and maturity of flower and bird painting step by step. The subject matter of "Magpie" is also the subject of my creation, which is inspired by the changes of ancient magpies, improves my artistic accomplishment and pursuit, and promotes my creative level.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212.2

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 ;中國(guó)花鳥畫家——何涵宇[J];藝術(shù)市場(chǎng);2005年05期

2 謝朝玲;;淺談中國(guó)花鳥畫入情與構(gòu)境[J];湘潭師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2006年03期

3 李s櫨，

本文編號(hào)：1832095