本文選題：靜物畫(huà) + 荷蘭畫(huà)派　； 參考：《曲阜師范大學(xué)》2014年碩士論文

【摘要】：十七世紀(jì)號(hào)稱(chēng)是荷蘭的”黃金時(shí)代”，海外貿(mào)易的不斷擴(kuò)張不僅使經(jīng)濟(jì)繁榮發(fā)展，也刺激了文化藝術(shù)的進(jìn)步，，涌現(xiàn)出一大批熱愛(ài)藝術(shù)的繪畫(huà)大師——荷蘭畫(huà)派，因此它也是荷蘭藝術(shù)的黃金時(shí)代，這一時(shí)期的藝術(shù)作品所表現(xiàn)的出來(lái)的荷蘭民族人們對(duì)生活的熱愛(ài)程度以及對(duì)自身價(jià)值的肯定時(shí)空前的，藝術(shù)家熱衷于描繪生活瑣事、和任何吸引人們關(guān)注興趣的事物。它大大的拓寬了藝術(shù)創(chuàng)作形式的種類(lèi)，同時(shí)，靜物畫(huà)應(yīng)運(yùn)而生并取得輝煌的成就。商品經(jīng)濟(jì)的沖擊使繪畫(huà)不再服務(wù)于傳統(tǒng)教會(huì)貴族，而是要更符合新興資產(chǎn)階級(jí)的審美需求，靜物畫(huà)的誕生不光使它從以往繪畫(huà)中作為陪襯的地位中擺脫出來(lái)，成為一種獨(dú)立的且受歡迎的繪畫(huà)形式，更代表了藝術(shù)商品化的演變歷程，也正是因?yàn)檫@些描繪當(dāng)時(shí)人們生活場(chǎng)景的靜物畫(huà)作品，向我們真實(shí)的反映了十七世紀(jì)荷蘭生活的大致面貌，讓我們能出這些藝術(shù)品中仔細(xì)體味荷蘭藝術(shù)的現(xiàn)實(shí)魅力。 文章先是從十七世紀(jì)荷蘭經(jīng)濟(jì)文化環(huán)境等方面介紹荷蘭畫(huà)派靜物畫(huà)產(chǎn)生的契機(jī)，然后抓住荷蘭藝術(shù)市場(chǎng)商品化的關(guān)鍵點(diǎn)分析藝術(shù)創(chuàng)作形式在荷蘭發(fā)生的巨大改變，運(yùn)用經(jīng)濟(jì)學(xué)的眼光，輔以圖片資料及較為全面因素的分析，對(duì)當(dāng)時(shí)荷蘭的藝術(shù)文化及生活以較為真實(shí)的反映，最終通過(guò)對(duì)此時(shí)期靜物畫(huà)作品的解讀，揭示其中所不同尋常的商品化藝術(shù)含義。
[Abstract]:The 17th century was known as the "golden age" of the Netherlands. The continuous expansion of overseas trade not only made the economy prosperous and developed, but also stimulated the progress of culture and art. A large number of painters who loved art, the Dutch school of painting, emerged. So it is also the golden age of Dutch art, where the Dutch people's love for life and the affirmation of their own value are reflected in the works of art of this period. Before the time and space, the artists are keen to depict the trivia of life. And anything that attracts people's attention. It greatly broadens the types of artistic forms, at the same time, still life painting came into being and made brilliant achievements. The impact of commodity economy makes painting no longer serve the nobility of the traditional church, but more in line with the aesthetic needs of the emerging bourgeoisie. The birth of still life painting not only made it escape from its position as a foil in the past, As an independent and popular form of painting, it represents the evolution of art commercialization, and it is precisely because of these still life paintings depicting the scenes of people at that time, It truly reflects the general features of Dutch life in the seventeenth century, allowing us to appreciate the real charm of Dutch art in these works of art. The article first introduces the opportunity of the still life painting of the Dutch painting school from the aspects of the economic and cultural environment of the Netherlands in the 17th century, and then analyzes the tremendous changes in the art creation form in the Netherlands by seizing the key points of the commercialization of the Dutch art market. From the perspective of economics, with the help of the analysis of picture materials and more comprehensive factors, the art culture and life of the Netherlands at that time were reflected in a more real way, and finally, through the interpretation of the still life paintings of this period, It reveals the unusual artistic meaning of commercialization.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J205

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