發(fā)布時(shí)間：2018-04-29 11:20

  本文選題：項(xiàng)圣謨 + 山水畫��； 參考：《南京師范大學(xué)》2014年碩士論文

【摘要】：項(xiàng)圣謨出生于明末富甲一方的嘉興項(xiàng)氏,其家族的豐厚收藏使得他在學(xué)習(xí)傳統(tǒng)山水畫時(shí)有著得天獨(dú)厚的優(yōu)勢(shì)。項(xiàng)圣謨山水畫前后兩期的藝術(shù)特色稍有不同,主要表現(xiàn)為后期的山水畫更為煉達(dá)渾厚。在總體上,項(xiàng)圣謨的山水畫則兼有寫意、寫實(shí)與仿古三種風(fēng)格。項(xiàng)圣謨的山水畫不僅展現(xiàn)了他對(duì)山水的理解和認(rèn)識(shí),還寄寓了各種人文情懷,即隱逸情懷、憂民情懷及遺民情懷。明亡之前,項(xiàng)圣謨山水畫主要體現(xiàn)的是對(duì)隱逸生活的贊頌和憧憬,兼有對(duì)人民疾苦的同情與無(wú)奈。明亡之后,項(xiàng)圣謨山水畫的感情基調(diào)為之一變,主要表現(xiàn)為對(duì)亡明的悲慟與故國(guó)的思念。項(xiàng)圣謨是一位多產(chǎn)的畫家,存世作品總量亦在百幅之上,其中大部分作品是山水畫。從這些作品的題跋中我們可以知道項(xiàng)圣謨的創(chuàng)作目的主要是用于饋贈(zèng)友人和自我欣賞,亦有一部分用于仿古學(xué)習(xí)。而明亡之后,鬻畫自給也成為了項(xiàng)圣謨創(chuàng)作的目的之一。影響項(xiàng)圣謨山水畫創(chuàng)作的主要因素則包括以自身興趣與態(tài)度為主的主觀因素,以及以家世家藏、交游廣泛、時(shí)代背景為主的客觀因素。項(xiàng)圣謨作為嘉興畫派的中流砥柱,其影響雖不若吳門畫派中的沈周、文徵明,松江畫派中的董其昌那么廣泛,但也是我們研究明末清初江南繪畫史時(shí)不容忽視的一位畫家。
[Abstract]:Xiang Shengmo was born in the late Ming Dynasty in Jiaxing Xiang, his family's rich collection made him have a unique advantage in studying traditional landscape painting. Xiang Shengmo landscape painting before and after the two stages of the artistic characteristics slightly different, mainly for the later stage of landscape painting more refined. On the whole, Xiang Shengmo's landscape painting has three styles: freehand brushwork, realistic painting and archaic painting. Xiang Shengmo's landscape painting not only shows his understanding and understanding of landscape, but also contains various humanistic feelings, that is, seclusion, concern for the people and feelings of the bereavement. Before the death of Ming Dynasty, Xiang Shengmu's landscape paintings mainly reflected the praise and longing for hermit life, as well as sympathy and helplessness for the people's suffering. After the death of Ming Dynasty, the emotional tone of Xiang Sheng-mo 's landscape painting changed, mainly manifested in mourning and yearning for his homeland. Xiang Shengmo is a prolific painter with a total of 100 works, most of which are landscape paintings. From the postscript of these works, we can know that Xiang Shengmo's creative purpose is mainly to give gifts to friends and self-appreciation, and some of them are also used for archaic learning. After the death of Ming Dynasty, Yu painting self-sufficiency also became one of the purposes of Xiang Shengmo's creation. The main factors influencing Xiang Sheng-mo 's landscape painting creation include subjective factors with his own interest and attitude, as well as objective factors with family and family, extensive acquaintance and background of the times. As the mainstay of Jiaxing painting school, Xiang Shengmo's influence is not as extensive as Shen Zhou's, Wen Zhengming's and Dong Qichang's, but it is also a painter that can not be ignored when we study the painting history of Jiangnan in the late Ming and early Qing dynasties.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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本文編號(hào)：1819703