本文選題：波提切利 + 繪畫��； 參考：《河南師范大學(xué)》2014年碩士論文

【摘要】：文藝復(fù)興最后一位藝術(shù)巨擘波提切利預(yù)示了偉大文藝復(fù)興的落幕，他筆下的女性形象以特有的憂郁美是文藝復(fù)興時期復(fù)雜的社會思潮——宗教意識和人文主義思潮沖突的再現(xiàn)。波提切利自身濃郁的詩人氣質(zhì)和文藝復(fù)興時期美學(xué)思潮的影響以及當(dāng)時佛羅倫薩的社會風(fēng)貌促使波提切利繪畫中的女性形象具有深層的憂郁情感，，它是那個時代審美特征的集中體現(xiàn)。本論文結(jié)合文藝復(fù)興時期佛羅倫薩的社會思想背景以及美第奇家族的時代背景，分析波提切利繪畫中女性形象憂郁美的社會內(nèi)涵；以波提切利成長經(jīng)歷、個性特征以及愛情世界為基礎(chǔ)分析其女性形象憂郁美形成的個人特質(zhì)。以西方憂郁美傳統(tǒng)為文化背景，結(jié)合美第奇學(xué)園的學(xué)術(shù)氛圍和導(dǎo)向以及新柏拉圖主義等分析波提切利繪畫女性形象憂郁美形成的文化基礎(chǔ)。論文著眼于波提切利繪畫的理論支撐，通過其具體的詩意空間構(gòu)建、線性表達(dá)方式在繪畫中的運(yùn)用以及對繪畫色彩的選擇來體現(xiàn)波提切利繪畫中女性形象憂郁美的具體表現(xiàn)形式。通過具體的繪畫語言表現(xiàn)的憂郁美來分析波提切利繪畫中女性形象憂郁美的美學(xué)特征和內(nèi)涵，將波提切利繪畫藝術(shù)的美學(xué)特征和當(dāng)代價值加以呈現(xiàn)。本論文著眼當(dāng)前波提切利研究種生平、重時代背景分析、重繪畫技巧分析的薄弱環(huán)節(jié)，以美術(shù)理論、美學(xué)原理、文化學(xué)為理論基礎(chǔ)，對波提切利的繪畫藝術(shù)進(jìn)行剖析和探索。力圖把波提切利繪畫中女性形象的憂郁美放在時代、社會、文化的大背景中，通過作品表現(xiàn)語言、蘊(yùn)含的美學(xué)真諦分析進(jìn)行更加具有美學(xué)、文化特征的分析和闡釋，從而揭示波提切利繪畫中女性形象的憂郁美呈現(xiàn)的多義性和復(fù)雜性，從而為當(dāng)下的繪畫創(chuàng)作提供一定的借鑒和理論分析。
[Abstract]:Botticelli, the last art giant of the Renaissance, foreshadowed the end of the great Renaissance. The unique melancholy beauty of the female image in his works is the reappearance of the conflict between religious consciousness and humanism in the complicated social trend of thought in the Renaissance period.Botticelli's strong poetic temperament and the influence of the aesthetic trend of the Renaissance and the social features of Florence at that time prompted Botticelli's female image in his paintings to have deep melancholy feelings.It is a concentrated embodiment of the aesthetic characteristics of that era.Based on the social and ideological background of Florence during the Renaissance and the background of the Medici family, this paper analyzes the social connotation of the melancholy beauty of female images in Botticelli's paintings.On the basis of personality characteristics and love world, the author analyzes the personal characteristics of the melancholy beauty of her female image.Taking the western tradition of melancholy beauty as the cultural background, combined with the academic atmosphere and orientation of the Medici School and Neo-Platonism, this paper analyzes the cultural basis of the melancholy beauty of Botticelli's painting female images.The thesis focuses on the theoretical support of Botticelli's painting, and through the construction of its specific poetic space,The use of linear expression in painting and the choice of painting color to reflect Botticelli painting the female image of the specific form of melancholy beauty.This paper analyzes the aesthetic features and connotations of the melancholy beauty of female images in Botticelli's paintings, and presents the aesthetic characteristics and contemporary values of Botticelli's painting art.Based on the theory of art theory, aesthetic principle and culturology, this paper analyzes and explores Botticelli's painting art by focusing on the life history, background analysis of the times and the weak links of the analysis of painting skills.Trying to put the melancholy beauty of female image in Botticelli's paintings in the background of the times, society and culture, through the analysis of the aesthetic essence of the expression language of the works, the analysis and interpretation of the aesthetic and cultural characteristics.It reveals the polysemy and complexity of the melancholy beauty of the female image in Botticelli's paintings, and provides some reference and theoretical analysis for the present painting creation.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

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