本文選題：女性 + 唐代��； 參考：《華北理工大學(xué)》2017年碩士論文

【摘要】：壁畫作為古老的記錄生活的方式之一,也是最傳統(tǒng)的繪畫方式,早在遠(yuǎn)古,人們就用壁畫記錄生活。在繁盛的唐朝,畫家們將時(shí)代的烙印用繪畫的形式刻在墻上來記錄人們的日常生活,而其畫面中的的女性形象占了絕大部分。唐代壁畫的發(fā)展大致可以分為初唐(公元618-712年)、盛唐(公元713-766年)、中晚唐(公元766-835年)三個(gè)階段。從時(shí)間順序出發(fā),分析唐代三個(gè)時(shí)期壁畫的三大類型(墓室壁畫、寺觀壁畫、石窟壁畫)以及唐代各時(shí)期壁畫中的女性形象風(fēng)格,簡要概括唐代壁畫人物畫的演變歷程,分析唐代壁畫中女性形象的審美造型的形成原因,以及壁畫創(chuàng)作中一些女性形象的特點(diǎn)。唐代壁畫的產(chǎn)生充分體現(xiàn)了時(shí)代的因素,首先受到了前朝的影響。從秦漢時(shí)期開始出現(xiàn)女性壁畫形象,到魏晉時(shí)期女性壁畫不斷發(fā)展,然后到隋代女性壁畫出現(xiàn)了自己的風(fēng)格,這一切的歷史藝術(shù)風(fēng)格都對唐代有著深刻的影響。初唐時(shí)期細(xì)麗簡放的女性繪畫形象繼承了隋代女性繪畫風(fēng)格的經(jīng)驗(yàn);盛唐時(shí)期豐腴富貴的女性形象是受到唐代政治、經(jīng)濟(jì)、文化、外交的開發(fā)政策影響導(dǎo)致的繪畫風(fēng)格;中晚唐時(shí)期經(jīng)歷了安史之亂,社會動蕩不安,相對來說女性的形象有些憂郁,但韻味十足,整體風(fēng)格趨于淡雅。除了開放的時(shí)代背景,唐代壁畫人物畫的繪畫風(fēng)格的形成還深受印度佛教的影響,印度佛教中的服飾設(shè)色、妝容、女性的妖嬈特質(zhì)等都對唐代女性壁畫形象的形成具有重要的影響力。其次,唐代統(tǒng)治者的審美觀念直接影響了壁畫中女性的形象,唐玄宗時(shí)期以楊貴妃為美的標(biāo)榜,致使唐代形成了以肥為美的審美取向。
[Abstract]:As an ancient way to record life, mural painting is also the most traditional way of painting, as early as ancient times, people use murals to record life.In the prosperous Tang Dynasty, painters engraved the brand of the times on the wall to record people's daily life.The development of Tang Dynasty murals can be divided into three stages: the early Tang Dynasty (AD 618-712), the prosperous Tang Dynasty (AD 713-766) and the Middle and late Tang Dynasty (AD 766-835).Starting from the time sequence, this paper analyzes the three major types of murals (tomb murals, temple murals, grottoes murals) and the female image styles in the murals of the Tang Dynasty in three periods, and briefly summarizes the evolution course of the Tang Dynasty murals' figure paintings.This paper analyzes the forming reasons of the aesthetic modeling of female images in the frescoes of Tang Dynasty and the characteristics of some female images in the murals creation.The appearance of the frescoes in the Tang Dynasty fully reflected the factors of the times and was first influenced by the former Dynasty.From the Qin and Han dynasties to the appearance of female murals, to the Wei and Jin dynasties female murals continued to develop, then to the Sui Dynasty female murals appeared their own style, all these historical and artistic styles have a profound impact on the Tang Dynasty.In the early Tang Dynasty, the female painting images in the fine and simple style inherited the experience of the female painting style in the Sui Dynasty, and the rich and rich female images in the prosperous Tang Dynasty were influenced by the development policies of politics, economy, culture and diplomacy in the Tang Dynasty.The middle and late Tang Dynasty experienced the Anshi Rebellion, the social unrest, the female image is somewhat melancholy, but the charm is full, the overall style tends to be mild and elegant.In addition to the open background of the times, the formation of the painting style of the Tang Dynasty frescoes and figure paintings was also deeply influenced by Indian Buddhism.The enchanting characteristics of women have an important influence on the formation of female murals in Tang Dynasty.Secondly, the aesthetic concept of the rulers of the Tang Dynasty directly affected the images of women in the murals. In the Tang Dynasty, Yang Guifei was regarded as the beauty of the Tang Dynasty, which resulted in the formation of the aesthetic orientation of the Tang Dynasty in which fat was the beauty.
【學(xué)位授予單位】：華北理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J218.6

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