本文選題：風(fēng)景 + 構(gòu)思�。� 參考：《哈爾濱師范大學(xué)》2014年碩士論文

【摘要】：大自然的哺育滋養(yǎng)著人們的生存和種族的延續(xù)，大自然為我們的物質(zhì)生活和精神生活提供了源泉。這就是我們所謂之的自然的觀念。通過對(duì)興安風(fēng)景的觀察體會(huì)，觀察興安風(fēng)景的不同時(shí)間的空間和色彩的變化，體現(xiàn)出獨(dú)特的興安風(fēng)景油畫創(chuàng)作。 抓住現(xiàn)代信息在風(fēng)景畫中主要地位這一特點(diǎn)，來確立研究，為了更快更好的進(jìn)步，創(chuàng)作出更好的作品。本文主要分為五部分對(duì)興安風(fēng)景畫創(chuàng)作來總結(jié)感受經(jīng)驗(yàn)，，對(duì)不同時(shí)期風(fēng)景畫的創(chuàng)作，意義做出討論，把總結(jié)的東西加入到繪畫之中。對(duì)于興安風(fēng)景畫創(chuàng)作，我們應(yīng)該采取何種藝術(shù)表達(dá)方式。在新時(shí)代背景下對(duì)于任何一位藝術(shù)家來說，他都應(yīng)以原有的藝術(shù)形式經(jīng)驗(yàn)作為超越的起點(diǎn)、在超越中構(gòu)想新的藝術(shù)形象。我們畢竟生活在當(dāng)代，互聯(lián)網(wǎng)對(duì)于我們?nèi)粘Ｉ畹挠绊懸彩窃絹碓酱�，影響的范圍和層次也是越來越深。再�?jīng)過不斷的調(diào)整，藝術(shù)形式的積累，導(dǎo)致新形式的經(jīng)驗(yàn)。傳統(tǒng)藝術(shù)與個(gè)性語言的探索對(duì)傳統(tǒng)的認(rèn)識(shí)繼承與發(fā)展，對(duì)傳統(tǒng)藝術(shù)作品內(nèi)容和意義進(jìn)行思考。當(dāng)人們厭惡了舊的形式，渴望具有新的主題、藝術(shù)的形象時(shí)。這就使我們得追求新的藝術(shù)形式、彰顯藝術(shù)內(nèi)容價(jià)值的新局面。信息技術(shù)的發(fā)展給藝術(shù)領(lǐng)域帶來了新的變化和新的新鮮的血液。因此，本文將以對(duì)在信息時(shí)代下個(gè)性語言的探索為創(chuàng)新點(diǎn)，氣韻生動(dòng)的把畫面的基本元素及點(diǎn)線面鏈接起來，形成新的組合方式。 最終在對(duì)傳統(tǒng)的認(rèn)識(shí)與現(xiàn)代信息技術(shù)的發(fā)展相結(jié)合，再加以運(yùn)用到興安油畫風(fēng)景創(chuàng)作中，形成具有時(shí)代精神風(fēng)貌的繪畫新形式。
[Abstract]:Nature nourishes the survival of people and the continuation of race. Nature provides a source for our material and spiritual life.This is what we call the concept of nature.Through the observation of Xingan scenery, the space and color changes of Xingan landscape at different times are observed, which reflects the unique painting of Xingan landscape.By grasping the main position of modern information in landscape painting, to establish the research, to create better works for faster and better progress.This paper is divided into five parts to sum up the experience of the creation of Xingan landscape painting, to discuss the creation and significance of landscape painting in different periods, and to add the summary to the painting.For Xingan landscape painting creation, we should take what kind of artistic expression.Under the background of the new era, for any artist, he should take the original artistic form experience as the starting point of transcendence, and conceive the new artistic image in the transcendence.After all, we live in the contemporary era, the impact of the Internet on our daily life is also growing, the scope and level of influence is also getting deeper and deeper.After constant adjustment, the accumulation of art forms, leading to new forms of experience.The exploration of traditional art and personality language inherits and develops the traditional understanding and development, and thinks about the content and significance of the traditional art works.When people hate old forms and desire new themes, artistic images.This makes us pursue the new art form and highlight the new situation of artistic content value.The development of information technology has brought new changes and fresh blood to the field of art.Therefore, this article will take the exploration of personality language under the information age as the innovation point, the charm vividly links the picture basic element and the dot line surface, forms the new combination way.Finally, in the combination of the traditional understanding and the development of modern information technology, it is applied to Xingan oil painting landscape creation to form a new form of painting with the spirit of the times.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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