發(fā)布時(shí)間：2018-04-13 03:35

  本文選題：女性水彩畫 + 女性視角��； 參考：《西安美術(shù)學(xué)院》2014年碩士論文

【摘要】：本文通過對中國水彩畫發(fā)展脈絡(luò)的梳理，來談女性水彩畫家的出現(xiàn)的原因、影響以及在當(dāng)代所呈現(xiàn)的面貌，進(jìn)而剖析女性水彩畫作品的獨(dú)特的審美傾向。全文共分為四個(gè)部分：第一部分將水彩畫發(fā)展的時(shí)間段劃分為三個(gè)時(shí)間段：二十世紀(jì)初期至建國初期、建國初期至七十年代末、八十年代至今。第二部分，，根據(jù)大環(huán)境的轉(zhuǎn)變對八十年代后女性水彩畫現(xiàn)象做詳盡分析。根據(jù)社會大環(huán)境的轉(zhuǎn)變分兩方面闡述。其一，社會地位的轉(zhuǎn)變，女性群體開始尋求實(shí)現(xiàn)自我價(jià)值。其二，社會地位的轉(zhuǎn)變，女性群體接受教育機(jī)會與男性均等。第三部分，談中國當(dāng)代女性水彩畫家的獨(dú)特審美心理。分兩點(diǎn)陳述第一，女性以其自身獨(dú)特的心理因素對水彩畫創(chuàng)作題材的影響。第二，同題材下當(dāng)代男性水彩畫家與女性水彩畫家的差異性。第四部分，探尋當(dāng)代女性水彩存在的問題和對當(dāng)代女性水彩畫發(fā)展方向的思考。 在這個(gè)以男性占據(jù)主導(dǎo)地位的社會環(huán)境下，女性自身的處境和對傳統(tǒng)意義、觀念的反思值得我們?nèi)リP(guān)注，我試圖探討女性當(dāng)代話語權(quán)和身份認(rèn)同問題，并研究在當(dāng)代社會背景下女性水彩畫家如何沖破父權(quán)制的話語機(jī)制，最終確立一系列具有女性意味的創(chuàng)作風(fēng)格和揭顯女性生命體驗(yàn)的水彩畫作品。在文中對女性水彩畫發(fā)展做出大量闡述，并分析畫家對水彩畫史的現(xiàn)有貢獻(xiàn)，列舉了部分中國當(dāng)代女性水彩畫家，并將其代表作品做詳細(xì)分析。之后將部分同題材的作品與男性水彩畫家做對比。對女性性別的分析，心理特征的描述，以及女性自我表述方式的強(qiáng)調(diào)做以論證。 本文旨在通過陳述分析當(dāng)今水彩畫壇女性水彩畫壇女性水彩畫創(chuàng)作面貌特征，表達(dá)女性水彩畫家群體力量不容小覷這一觀點(diǎn)。關(guān)注女性水彩畫的發(fā)展和對水彩畫史的現(xiàn)有貢獻(xiàn)，并提出女性水彩畫在審美趨向多元化發(fā)展的前提下，所面臨的問題和不足之處，明確表達(dá)出本人對現(xiàn)階段這一水彩藝術(shù)現(xiàn)象的關(guān)切和憂慮。并指出女性水彩畫該如何創(chuàng)新和發(fā)展。
[Abstract]:By combing the development of Chinese watercolor painting, this paper discusses the reason, influence and appearance of female watercolor painters, and then analyzes the unique aesthetic tendency of female watercolor painting works.The thesis is divided into four parts: the first part divides the time period of watercolor painting development into three periods: from the early 20th century to the early days of the founding of the people's Republic of China, from the early days of the founding of the people's Republic to the end of the seventies, and from theIn the second part, according to the change of the environment, the phenomenon of female watercolor painting after 1980's is analyzed in detail.According to the transformation of the social environment is elaborated in two aspects.First, the transformation of social status, women began to seek to achieve self-worth.Second, the transformation of social status, women and men equal access to education opportunities.The third part discusses the unique aesthetic psychology of contemporary Chinese female watercolor painters.The first is the influence of women's unique psychological factors on the subject matter of watercolor painting.Second, the difference between contemporary male watercolor painters and female watercolor painters under the same theme.The fourth part, explores the contemporary female watercolor existence question and to the contemporary female watercolor painting development direction ponder.In this male-dominated social environment, women's own situation and reflection on the traditional meaning and concept deserve our attention. I try to explore the issue of women's contemporary discourse rights and identity.It also studies how female watercolor painters break through the discourse mechanism of patriarchal system under the background of contemporary society, and finally establish a series of watercolor paintings with feminine meaning and reveal women's life experience.In this paper, the development of female watercolor painting to make a large number of elaboration, and analysis of the painter's existing contributions to the history of watercolor painting, listed some of the contemporary Chinese female watercolor painters, and their representative works to do a detailed analysis.After that, some of the works of the same subject are compared with the male watercolor painters.The analysis of female gender, the description of psychological characteristics, and the emphasis of female self-expression.The purpose of this paper is to express the view that the strength of female watercolor painters should not be underestimated by analyzing the features of female watercolor paintings in the watercolor painting world today.Paying attention to the development of female watercolor painting and its existing contribution to the history of watercolor painting, and putting forward the problems and deficiencies that female watercolor painting faces under the premise of the diversified development of aesthetic appreciation.Express my concern and concern about this watercolor art phenomenon at this stage.And points out how to innovate and develop female watercolor painting.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 賈方舟;自我探尋中的女性話語九十年代中國女性藝術(shù)掃描[J];美術(shù)研究;1996年02期

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