本文選題：澳門版畫 + 文化價值�。� 參考：《中央美術學院》2014年碩士論文

【摘要】：綜觀澳門版畫藝術發(fā)展至今雖然只有短短的３０余年，作為中西交流的前沿地，在回歸前后經歷了不少變化�；貧w前受殖民政府所重視，撥發(fā)政府Yl學金支持本地藝術家到國外交流和留學，同時邀請英國著名葡國版畫家來澳開班授課，把技術和設備一并引進澳門第一間視覺藝術學院，版畫藝術平步發(fā)展，同時得到國際間一致的認同，隨后更得到企業(yè)界的支持，不少作品被葡萄牙，本地政府官員，收藏家所收購�；貧w后，版畫藝術發(fā)展卻因種種不明朗因素而出現低潮期，加上本澳一直缺乏藝術市場，資源不足，令本土版畫藝術家難以擠身于“正式”市場當中，而這種倒退現象也牽連到整個藝術圈的發(fā)展�；貧w這十四年來，澳門的政治，經濟，社會，文化都因為博彩業(yè)以及賭權開放發(fā)生了很大變化，而藝術創(chuàng)作始終伴隨著這種文化氛圍底下改變著。近年來，伴隨而來的是文化產業(yè)漸漸成為澳門整體社會中非常重要的一環(huán)。文化局07年開始到09年之間落實多項發(fā)展研究和征集各界意見，充份反映特區(qū)政府關注文化產業(yè)前期工作進行了充分準備。文化創(chuàng)意產業(yè)的大力推廣，令澳門的版畫藝術重新有了一條嶄新的光明道路。無可否認藝術教育對于文化價值的傳承與推廣在文化創(chuàng)意產業(yè)發(fā)展的可能性中成為一個非常重要的課題，故本論文先從澳門版畫發(fā)展史和藝術教育發(fā)展上出發(fā)，利用本土各方面優(yōu)勢作為版畫與文化創(chuàng)意產業(yè)的價值作研究，并針對文化藝術發(fā)展現狀所帶出的優(yōu)缺和主客觀條件，如何開放版畫藝術創(chuàng)作在文化創(chuàng)意產業(yè)的可能性作分析，令澳門版畫不只是一門單純的藝術品創(chuàng)作，同時也可以成為一種大眾消費的生活藝術，，成為一種文化創(chuàng)意產業(yè)。
[Abstract]:Although the art of print in Macao has only developed for more than 30 years, it has experienced a lot of changes before and after the return of China and the West as a frontier place of communication between China and the West.Before the reunification, the colonial government attached great importance to it. It allocated the government's Yl school funds to support local artists to exchange and study abroad. At the same time, they invited famous British and Portuguese printmakers to teach classes in Macao and introduce technology and equipment to Macao's first school of visual arts.The art of printmaking developed with international consensus and was subsequently supported by the business community. Many of the works were acquired by Portuguese, local government officials and collectors.Since the reunification, the development of printmaking art has experienced a period of decline due to various uncertainties. In addition, the lack of art market and the shortage of resources in Australia have made it difficult for local printmaking artists to squeeze into the "formal" market.And this kind of retrogression phenomenon also involves the development of the whole art circle.Since the return of Macao 14 years ago, Macao's politics, economy, society and culture have undergone great changes as a result of the opening up of gambling and gambling rights, and artistic creation has always been accompanied by changes in this cultural atmosphere.In recent years, cultural industry has gradually become a very important part of Macao society.From 2007 to 2009, the Bureau of Culture has carried out a number of development studies and solicited opinions from all walks of life, which fully reflects that the SAR Government has made full preparations for the preliminary work of the cultural industry.The vigorous promotion of cultural and creative industries has made the art of print in Macao a new bright road.There is no denying that art education has become a very important subject in the possibility of the development of cultural and creative industries for the inheritance and promotion of cultural values. Therefore, this paper starts from the history of the history of print and the development of art education in Macao.Taking advantage of local advantages as the value of print and cultural creative industry, and aiming at the advantages and disadvantages and subjective and objective conditions brought out by the present situation of cultural and artistic development, how to open up the possibility of printmaking in cultural and creative industry is analyzed.So that Macau print is not only a simple art creation, but also a kind of life art consumed by the public and a kind of cultural creative industry.
【學位授予單位】：中央美術學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J217

【共引文獻】

相關碩士學位論文 前1條

1 王若鴻;工科院校藝術設計教育品牌化發(fā)展策略研究[D];西安美術學院;2012年

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