本文選題：十七世紀(jì) + 光線��； 參考：《山東大學(xué)》2014年碩士論文

【摘要】：本文著重研究了光線在十七世紀(jì)時(shí)期油畫(huà)中的作用。光線是我們生活中不可缺少的元素,它照亮了我們的世界,給我們帶來(lái)了光明。從文藝復(fù)興開(kāi)始,達(dá)·芬奇將光線運(yùn)用到油畫(huà)當(dāng)中,發(fā)明了“明暗法”。運(yùn)用光線去描繪對(duì)象,這大大增強(qiáng)了所描繪對(duì)象的體積感、畫(huà)面的空間感,自此之后,光線在油畫(huà)中的運(yùn)用越來(lái)越明顯。到了十七世紀(jì)時(shí)期,光線在油畫(huà)中的地位愈加突顯,此時(shí)的油畫(huà)尤其注重光線的運(yùn)用,使得此時(shí)畫(huà)風(fēng)充斥著運(yùn)動(dòng)感,并富有戲劇性,所以說(shuō)光線在十七世紀(jì)時(shí)期的油畫(huà)中扮演了重要的角色,并使之產(chǎn)生獨(dú)特的時(shí)代審美意義。 十七世紀(jì)的歐洲是一個(gè)社會(huì)動(dòng)蕩不安和封建社會(huì)思想激烈變革的時(shí)期,這一時(shí)期歐洲正由封建社會(huì)向資本主義社會(huì)過(guò)渡,社會(huì)結(jié)構(gòu)發(fā)生了重大變化。與此同時(shí),歐洲美術(shù)進(jìn)入了巴洛克時(shí)期,巴洛克油畫(huà)以擅長(zhǎng)運(yùn)用光線著稱,強(qiáng)烈的光影對(duì)比和戲劇性的明暗效果,營(yíng)造了畫(huà)面氣氛,揭示了人物的內(nèi)心世界,進(jìn)而傳達(dá)了藝術(shù)家的思想和情感。光線是畫(huà)家表現(xiàn)對(duì)象,再現(xiàn)生活的手段,藝術(shù)家在不同時(shí)期對(duì)光線的理解也不盡相同,對(duì)油畫(huà)的藝術(shù)價(jià)值的考評(píng),無(wú)不與光線的巧妙運(yùn)用息息相關(guān)。本文在開(kāi)篇簡(jiǎn)單的闡述了光線的概念,介紹了光線與油畫(huà)之間的關(guān)系,通過(guò)對(duì)卡拉瓦喬、倫勃朗、拉圖爾、維米爾等典型畫(huà)家作品的分析,進(jìn)一步闡釋光線在油畫(huà)中的重要作用。
[Abstract]:This paper focuses on the role of light during the seventeenth Century oil painting. Light is the indispensable element in life, which lightens our world, bring the light. We start from the Renaissance, Da Finch will use light to oil painting, the invention of the "dark". Use light to depict the object, which greatly to enhance the description of object volume, picture the sense of space, since then, the light in the painting in the use of more and more obvious. To seventeenth Century period, highlighting the position even more light in the painting, the painting is especially focused on the use of light, making the style full of sense of movement, and dramatic, so the light that plays an important role in the seventeenth Century period of the painting, and make a unique aesthetic significance.
In seventeenth Century, Europe was a turbulent society and feudal society thought intense transformation period, this period in Europe is the transition from the feudal society to capitalist society, social structure has changed. At the same time, the European art in the Baroque period, Barlow grams of oil painting with good use of light for strong light contrast and dramatic shading effect the picture, creating atmosphere, reveals the inner world of the characters, and then convey the artist's thoughts and emotions. The light is the artist performance object, the reproduction of life by means of artists in different periods of understanding of light are not the same, the oil painting art value evaluation, is closely related with all the clever use of light in this paper. At the beginning of a simple exposition of the concept of light ray, the relation between light and painting, by Caravaggio, Rembrandt, La Tour, VIMI Analysis of your typical works of artists, to further explain the important role in the painting in the light.

【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 楊曉見(jiàn);;卡拉瓦喬的光影[J];美術(shù)大觀;2007年07期

2 李力;;浪跡天涯的逃犯——重讀卡拉瓦喬[J];美術(shù)觀察;2013年01期

，

本文編號(hào)：1738460