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新安畫(huà)派筆墨表現(xiàn)演變研究

發(fā)布時(shí)間:2018-03-27 05:27

  本文選題:中國(guó)山水畫(huà) 切入點(diǎn):水墨畫(huà) 出處:《西南交通大學(xué)》2013年碩士論文


【摘要】:新安畫(huà)派是明末時(shí)期產(chǎn)生于徽州新安地區(qū)的一個(gè)地域性的畫(huà)派,是中國(guó)傳統(tǒng)繪畫(huà)的一個(gè)典范是一批遺民畫(huà)家以黃山、白岳及徽州山水為創(chuàng)作題材而形成的一個(gè)繪畫(huà)流派,他們的作品多以黃山為母體來(lái)表現(xiàn)自我,宣泄苦悶,又以黃山禪宗般的靈境表現(xiàn)超凡脫俗與忘我無(wú)我的精神追求與狀態(tài)。在明清時(shí)期,新安畫(huà)派曾輝煌一時(shí),在中國(guó)和世界文化史上占有崇高的地位。新安畫(huà)派的鼎盛時(shí)期是在明末清初,在之后的幾百年,新安畫(huà)派的后人繼漸江之后,黃賓虹,汪采白等人一直在探索新安畫(huà)派的發(fā)展、創(chuàng)新,為新安畫(huà)派的發(fā)展做出了很大的貢獻(xiàn),近當(dāng)代,中國(guó)繪畫(huà)歷經(jīng)了各種文化的沖擊,逐漸形成了多樣繁雜的局面,在此狀態(tài)下,新安畫(huà)派似乎已經(jīng)沒(méi)有了當(dāng)年的風(fēng)采,甚至有人認(rèn)為走上了“窮途末路”。但新安畫(huà)派作為一個(gè)地域性的畫(huà)派,而他們的人品與作品的覆蓋面極廣、滲透力極強(qiáng)、感染力極大,對(duì)金陵畫(huà)派,后期的揚(yáng)州畫(huà)派,海派繪畫(huà)以至當(dāng)代的中國(guó)山水畫(huà)家及山水畫(huà)家有著很大影響的這一事實(shí),決定了新安畫(huà)派的歷史承擔(dān)遠(yuǎn)沒(méi)有結(jié)束。新安畫(huà)派在中國(guó)的繪畫(huà)史上曾留下過(guò)濃墨重彩的一筆;然而,在中國(guó)當(dāng)代繪畫(huà)史中卻很少有彰顯;是悄然離去還是再次崛起,本文把新安畫(huà)派山水畫(huà)作為中國(guó)傳統(tǒng)文化精神的一個(gè)典范,參照結(jié)合新安畫(huà)派的發(fā)展歷程及其經(jīng)驗(yàn),分析新安畫(huà)派筆墨表現(xiàn)的演變與時(shí)代精神的關(guān)系以及當(dāng)代文化現(xiàn)狀的沖撞下新安畫(huà)派的際遇。進(jìn)而與當(dāng)代多元多向的水墨畫(huà)進(jìn)行比較、分析,找出中國(guó)傳統(tǒng)的寫(xiě)意山水畫(huà)創(chuàng)新的可能性。本文重點(diǎn)是對(duì)山水畫(huà)筆墨表現(xiàn)及運(yùn)用進(jìn)行分析研究,分析新安畫(huà)派的發(fā)展過(guò)程和對(duì)當(dāng)代中國(guó)畫(huà)的影響,以及試尋找其再次崛起的可能性。同時(shí)要在保持水墨邊界的前提下拓展視覺(jué)沖擊力,追求意境,努力實(shí)現(xiàn)傳統(tǒng)的現(xiàn)代化,創(chuàng)作出具有自己筆墨風(fēng)格的作品。
[Abstract]:Xin'an school is a regional school in the late Ming period in Huizhou Xin'an area, is a typical Chinese traditional painting is a painter in Mount Huangshan, a school of painting and landscape of Huizhou Baiyue theme for the creation and formation of their works in Mount Huangshan as the parent body to express themselves, catharsis anguish in Mount Huangshan, the Zen like spirit and extraordinary performance of selflessness and spiritual pursuit. In the Ming and Qing Dynasties, Xin'an school was once glorious, occupies a lofty position in the cultural history of the world. China and heyday of the Xin'an school in the late Ming Dynasty and early Qing Dynasty, after several hundred years, the descendants of the Xin'an school following Huang Binhong, Wang Jiang, et al are picked from the tea trees with been exploring the development of the Xin'an school, innovation, has made a great contribution for the development of Xin'an School of modern painting, China went through all kinds of culture shock, gradually The formation of a variety of complex situation, in this state, the Xin'an school seems to have no elegance of the year, some people even think that embarked on a "dead end". However, the school of Xin'an as a regional school, and the character and works of their wide coverage, strong penetration, great appeal to. Jinling school, the Yangzhou school, the Shanghai Painting and the modern Chinese landscape painter and landscape painter with the fact that the great influence of the Xin'an school, decided the historical mission is far from over. Xin'an School of painting history in the China had left a thick and heavy in colours but in China; contemporary painting in the history of it there are few shows; is quietly leave or rise again, the Xin'an School of landscape painting as an example Chinese the spirit of traditional culture, combined with the development of the Xin'an School of reference and experience analysis What the Xin'an school relationship an school text evolution and the spirit of the times and the impact of contemporary culture status. Then analysis and comparison, contemporary pluralistic painting, to find out the possibility of China traditional landscape painting innovation. The emphasis of this paper is to analyze the landscape painting performance and utilization, analysis of the development process the Xin'an school and the influence on contemporary Chinese painting, and tries to find the possibility to rise again. At the same time to expand the visual impact, the pursuit of artistic conception in the premise of maintaining the ink boundary, and strive to achieve the modernization of tradition, creation has its own style of painting works.

【學(xué)位授予單位】:西南交通大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J209.9

【共引文獻(xiàn)】

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本文編號(hào):1670203


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