本文選題：山水畫　切入點：視覺　出處：《哈爾濱師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：中國山水畫作為中國特有的繪畫形式已經(jīng)有了上千年的歷史。最早的山水畫不同于我們現(xiàn)在所看到的這個面貌。無論在哪個國家，，哪個地區(qū)的文化，最早出現(xiàn)在繪畫作品中的內(nèi)容多為人物畫或動物畫，這與人類歷史的發(fā)展是密切相關(guān)的。最早藝術(shù)的出現(xiàn)也并不是為了藝術(shù)或?qū)徝溃皇菫榱溯o助生活中的各種需要，中國畫也不例外。但是隨著時間的推移及人類生活逐漸的提高與完善，審美眼光的轉(zhuǎn)變，山水畫所呈現(xiàn)的面貌也發(fā)生了巨大的變化。藝術(shù)被慢慢地從生活中提煉出了幾種獨特的樣式從人們?nèi)粘５膭趧又蟹蛛x出來。繪畫再也不是簡單的為了祭祀或記錄一些日常生活的需要而進行的簡單操作，它漸漸的形成了自己獨特的審美特征。隨著時間的推移及人們審美眼光的轉(zhuǎn)變，繪畫的樣式也逐漸發(fā)生了變化。中國山水畫作為中國的傳統(tǒng)繪畫也不例外。那么究竟是什么使山水畫的創(chuàng)作者在創(chuàng)作過程中產(chǎn)生了視覺上的轉(zhuǎn)變呢？這種視覺上的轉(zhuǎn)移又是如何形成的呢？本論文意在闡述山水畫發(fā)生視覺轉(zhuǎn)移的原因以及每次轉(zhuǎn)移后所產(chǎn)生的結(jié)果。并且通過這些分析來推測山水畫的發(fā)展趨勢。
[Abstract]:Chinese landscape painting has a history of thousands of years as a unique form of painting in China. The earliest landscape painting is different from what we see now. Most of the contents that first appeared in paintings were figure paintings or animal paintings, which were closely related to the development of human history. The earliest art did not appear for the sake of art or aesthetics, but only to assist the needs of life. Chinese painting is no exception. But with the passage of time and the gradual improvement and perfection of human life, the aesthetic vision changes. Landscape painting has also undergone tremendous changes. Art has been slowly extracted from life, several unique styles are separated from people's daily labor. Painting is no longer simply for sacrifice or record. Some simple operation that needs to be carried out in daily life, It gradually formed its own unique aesthetic characteristics. With the passage of time and people's aesthetic vision changes, The style of painting has gradually changed. Chinese landscape painting as a Chinese traditional painting is no exception. So what makes the creator of landscape painting produce visual changes in the process of creation? How does this visual shift come into being? The purpose of this paper is to explain the causes of the visual transfer of landscape painting and the results after each shift, and to speculate on the development trend of landscape painting through these analysis.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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本文編號：1651476