本文選題：插畫(huà)　切入點(diǎn)：視覺(jué)時(shí)代　出處：《遼寧師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：插畫(huà)具有悠久的歷史，從古至今在人類的社會(huì)生活中都扮演著重要的角色。從最初原始社會(huì)的壁畫(huà)開(kāi)始，就已經(jīng)在人們的生活中扮演著尤為重要的作用，它為人們記錄下當(dāng)時(shí)生活的狀態(tài)，乃至今天為現(xiàn)代科學(xué)、考古提供了優(yōu)越的調(diào)研依據(jù)。插畫(huà)藝術(shù)已成為21世紀(jì)的一門多載體實(shí)用技術(shù)，形成了一個(gè)多學(xué)科交叉的傳播媒介，其影響力滲透到當(dāng)今經(jīng)濟(jì)、文化、生活的各個(gè)層面。在新的時(shí)代背景下，從時(shí)代的角度望去，探討現(xiàn)代插畫(huà)語(yǔ)言的表現(xiàn)形式是十分必要的，由于該領(lǐng)域的研究相對(duì)滯后，因此，本次論文將站在時(shí)代背景的宏觀角度上對(duì)現(xiàn)代插畫(huà)語(yǔ)言的表現(xiàn)形式進(jìn)行剖析。插畫(huà)語(yǔ)言是感性的語(yǔ)言交流，它會(huì)指引、感動(dòng)、調(diào)動(dòng)人們的情緒，并能很好地將人們參與到其中。圖形圖像在不同的國(guó)家或地區(qū)都可以讓人們感受到圖形的語(yǔ)意，使溝通與交流更加便捷。插畫(huà)設(shè)計(jì)通過(guò)豐富的造型表現(xiàn)傳達(dá)出想要表達(dá)的主題，使讀者能夠直觀、形象地進(jìn)行思想交流。 本篇論文研究的目的在于：插畫(huà)語(yǔ)言在世界范圍內(nèi)根據(jù)國(guó)家、種族、民族、群體等因素形成很多的繪畫(huà)風(fēng)格，然而，在中國(guó)，更多的插畫(huà)設(shè)計(jì)者往往在想象著達(dá)到世界化水準(zhǔn)的同時(shí)忘記了本土特色，然而民族的，才是世界的這個(gè)概念在中國(guó)沒(méi)有很好的發(fā)揚(yáng)與擴(kuò)大，一些人們更是走了效仿國(guó)外風(fēng)格的捷徑。2012年，當(dāng)中國(guó)召開(kāi)十八大會(huì)議之后，尤其是我們作為80后的插畫(huà)設(shè)計(jì)者更應(yīng)該借著東風(fēng)努力實(shí)現(xiàn)走民族特色的藝術(shù)道路，使具有中國(guó)特色的設(shè)計(jì)作品走向世界。在全球經(jīng)濟(jì)一體化的今天，提倡和追求民族特色具有重要的文化戰(zhàn)略意義。 本篇論文的研究方法主要為資料收集、查閱以及導(dǎo)師的啟發(fā)，本文試圖通過(guò)對(duì)視覺(jué)時(shí)代以及插畫(huà)語(yǔ)言的概念、插畫(huà)的分類、插畫(huà)語(yǔ)言的特點(diǎn)和規(guī)律等進(jìn)行探討和分析。本文綜合運(yùn)用了分析法、歸納法、比較法、個(gè)案研究法等多種研究方法。并對(duì)現(xiàn)代中國(guó)數(shù)碼插畫(huà)有關(guān)的報(bào)紙、雜志、書(shū)籍以及網(wǎng)絡(luò)上關(guān)于現(xiàn)代數(shù)碼插畫(huà)、中國(guó)傳統(tǒng)特色等相關(guān)內(nèi)容的論述進(jìn)行檢索、整理。最后對(duì)中國(guó)當(dāng)代數(shù)碼插畫(huà)未來(lái)的發(fā)展做一個(gè)前瞻性的研究。
[Abstract]:Illustration has a long history and has played an important role in human social life since ancient times. From the beginning of the original society murals have played a particularly important role in people's lives. It provides an excellent research basis for people to record the state of life at that time, and even today for modern science and archaeology. Illustration art has become a multi-carrier practical technology in the 21st century, forming a multidisciplinary communication medium. Under the background of the new era, it is very necessary to probe into the manifestation of modern illustration language, because the research in this field is lagging behind, so it is necessary to explore the expression form of modern illustration language from the angle of the times, because the research in this field is lagging behind. This paper will analyze the manifestation of modern illustration language from the macroscopic angle of the background of the times. Illustration language is a kind of perceptual language exchange, which will guide, move and mobilize people's emotions. Graphics and images in different countries or regions can let people feel the meaning of graphics, make communication and communication more convenient. So that readers can intuitively and vividly communicate ideas. The purpose of this thesis is to form a lot of painting styles around the world according to national, racial, national and group factors. However, in China, More illustrator designers often imagine reaching a cosmopolitan level while forgetting their native characteristics. However, the concept of the world as a nation has not been well developed and expanded in China. Some people have taken a shortcut to emulating foreign styles. In 2012, when China held the 18th National Congress, especially as post-80s illustrator designers, we should take advantage of Dongfeng to realize the art path of national characteristics. It is of great cultural and strategic significance to advocate and pursue national characteristics in today's global economic integration. The research methods of this thesis are mainly data collection, reference and inspiration from teachers. This paper attempts to classify illustrations through the concepts of visual age and illustration language. The characteristics and laws of illustration language are discussed and analyzed in this paper. This paper makes comprehensive use of analytical method, inductive method, comparative method, case study method, and so on. It also makes use of newspapers and magazines related to digital illustration in modern China. The book and the exposition about modern digital illustration, Chinese traditional characteristic and so on on the network carries on the retrieval, arranges. Finally, makes a prospective research on the future development of the Chinese contemporary digital illustration.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.5

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本文編號(hào)：1651233