本文選題：渡江　切入點：占領(lǐng)總統(tǒng)府　出處：《美術(shù)》2017年08期 　論文類型：期刊論文

【摘要】：以主題性美術(shù)創(chuàng)作呈現(xiàn)革命歷史,是新中國美術(shù)所取得的偉大成就。在解放南京這一典型個案中,通過"渡江"和"占領(lǐng)總統(tǒng)府"這兩個題材的創(chuàng)作可以看出,革命歷史美術(shù)創(chuàng)作是一個不斷摸索的過程,其中既有對主題內(nèi)容不斷深入的理解認(rèn)識,也有尋求恰當(dāng)?shù)乃囆g(shù)形式來實現(xiàn)主題的升華。此類型創(chuàng)作所致力的,不僅僅是戰(zhàn)爭場景的具象化,更在于展現(xiàn)和傳遞革命歷史進程中打動、鼓舞人心的崇高力量。
[Abstract]:Presenting the revolutionary history with thematic art creation is a great achievement made by the fine arts of New China. In the typical case of the liberation of Nanjing, it can be seen from the creation of "crossing the river" and "occupying the presidential palace". The creation of revolutionary historical art is a process of continuous exploration, in which there is not only a deep understanding of the content of the theme, but also a search for the appropriate artistic form to realize the sublimation of the theme. It is not only the embodiment of the war scene, but also the noble force which is moved and inspiring in the course of revolutionary history.
【作者單位】： 南京藝術(shù)學(xué)院藝術(shù)學(xué)研究所;
【分類號】：J204
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本文編號：1648966