本文選題：胡明哲　切入點：巖彩繪畫　出處：《華中師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：“巖彩”從“被延展了的傳統(tǒng)礦物色”而由得,這種從材質角度命名,看似新興的畫種,實則統(tǒng)一于傳統(tǒng)中國畫的宗系之中,與傳統(tǒng)中國畫是一脈相承而又個體特色鮮明的。巖彩畫因其獨特的材質美感與豐富的色質表達,而具有極高的審美價值,為中國工筆畫帶來了新的思考方向和可能性。 中國當代畫家胡明哲先生對巖彩的運用,洞開了其繪畫藝術的嶄新視野,拓展了學術界對于巖彩材料的認識,其獨到的巖彩畫藝術魅力與其崇高的學術品格,受到學術界的廣泛關注和肯定。 當代語境下,巖彩畫的意義在于打破了傳統(tǒng)中國畫舊有的框架,拓展了材料觀念,創(chuàng)造出全新的視覺審美空間。然,從屬于東方美學的巖彩繪畫藝術,其作品的寫意性卻很少被學者提及。殊不知,以各種材質嘗試直接進行表意的“材質語言表述”方式,正悄然為一種新的藝術語言方式。 本文欲以胡明哲的巖彩繪畫為例,探討其作品在藝術觀念之上和材料先行條件下的寫意性。胡明哲先生原是傳統(tǒng)工筆畫家,講究用線,筆法和筆調,通過對巖彩不斷地探索與研究,經(jīng)歷了藝術思想由“自我”到“無我”到“非我”的蛻變,形成了以材料觀照自然邃遠、博大的“微塵”宇宙觀,將對材料的認識推進到新的高度。同時,作為女性藝術家,她對媒材賦予的情感耐人尋味,受傳統(tǒng)美學觀念的影響,她的巖彩作品空靈,玄妙,寫意氣息濃烈又具有東方美。本文將通過對胡明哲巖彩繪畫藝術軌跡的梳理,解讀其繪畫作品在當代語境下的寫意性,以及材料的獨特審美性。最后引出胡明哲的巖彩繪畫藝術遁入佳境,在其宇宙觀的引導下,步入純材料、觀念的藝術。
[Abstract]:The "rock color" is derived from the "extended traditional mineral color", which is named from the point of view of material and looks like a new kind of painting. In fact, it is unified in the traditional Chinese painting system. Rock color painting has a high aesthetic value because of its unique aesthetic sense of material and rich color expression, which brings new thinking direction and possibility for Chinese fine brush painting. The use of rock color by Mr. Hu Mingzhe, a contemporary Chinese painter, has opened up a new field of vision of his painting art, expanded the academic circle's understanding of rock color materials, its unique artistic charm and lofty academic character. By academic circles wide attention and affirmation. In the contemporary context, the significance of rock color painting lies in breaking the old frame of traditional Chinese painting, expanding the concept of materials and creating a new visual aesthetic space. But the freehand brushwork of his works is seldom mentioned by scholars. However, it is unknown that the "material language expression", which attempts to express the material language directly with various materials, is quietly becoming a new artistic language way. Taking Hu Mingzhe's rock painting as an example, this paper discusses the freehand brushwork of his works on the basis of artistic concept and material first. Mr. Hu Mingzhe was originally a traditional painters of fine brushwork, paying attention to the use of lines, strokes and tone of writing. Through the continuous exploration and research of rock color, it has experienced the transformation of artistic thought from "self" to "no self" to "non-self", and has formed a world view of "micro-dust", which takes a material view of nature far and wide. At the same time, as a female artist, her feelings for media are intriguing, influenced by traditional aesthetic concepts, her rock color works are empty and mysterious. Freehand brushwork has strong flavor and Oriental beauty. This paper will analyze the freehand brushwork of Hu Mingzhe's paintings in the contemporary context by combing the artistic track of Hu Mingzhe's painted paintings. Finally, Hu Mingzhe's rock painting art escapes into the good state, and under the guidance of his cosmology, he steps into the art of pure material and concept.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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