本文選題：巖畫　切入點：藝術(shù)史學　出處：《民族藝術(shù)》2017年04期 　論文類型：期刊論文

【摘要】：藝術(shù)史學和考古學研究有著某些共通之處,但在以往的考古學和藝術(shù)史學科中,巖畫地位實際上是缺位的。隨著研究文本的逐步發(fā)展,研究者們越來越認識到巖畫具有不可或缺的作用。巖畫的研究擴展了藝術(shù)史學的學科范圍,但是很大程度上未被研究者所重視。巖畫研究使藝術(shù)史重新書寫,藝術(shù)史學研究也帶給巖畫研究啟示。巖畫研究需要多學科的聯(lián)合協(xié)作,同樣藝術(shù)史學的基本研究方法研究巖畫,也要秉持謹慎、客觀的態(tài)度。
[Abstract]:Art historiography and archaeology research have some common ground, but in the past archaeology and art history discipline, rock painting status is actually absent. With the gradual development of the research text, More and more researchers realize that rock painting plays an indispensable role. The study of rock painting has expanded the scope of the subject of art history, but to a large extent has not been paid attention to by the researchers. The study of rock painting rewrites the history of art. The study of art history also brings inspiration to the study of rock painting. The study of rock painting requires the joint cooperation of many subjects. Similarly, the basic research methods of art history should also adopt a cautious and objective attitude in studying rock painting.
【作者單位】： 墨爾本大學文化傳播學院;中央民族大學中國巖畫研究中心;蘭州大學藝術(shù)學院;
【基金】：國家社科基金項目“巴丹吉林沙漠巖畫與古代西北民族研究”(15BMZ061)階段性成果
【分類號】：J205
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本文編號：1638880