本文選題：苗畫　切入點(diǎn)：傳統(tǒng)文化　出處：《武漢紡織大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：研究一個(gè)民族的民族特征，首先要從這個(gè)民族文化開始，因?yàn)橐粋�(gè)民族的特征基本體現(xiàn)在這個(gè)民族的傳統(tǒng)文化上。湘西自古以來(lái)就是民族特色鮮明、民族底蘊(yùn)深厚的一個(gè)地區(qū)，而苗族文化在這個(gè)地區(qū)起著主導(dǎo)的作用。湘西苗族的傳統(tǒng)文化豐富多彩，有著悠久的歷史傳承。一直以來(lái)，苗族的人民辛苦勞作，創(chuàng)造了非常豐富的民族文化，為創(chuàng)造光輝燦爛的華夏文明做出了很大的貢獻(xiàn)。少數(shù)民族的美術(shù)是我國(guó)的民族藝術(shù)構(gòu)成的重要部分，研究少數(shù)民族的美術(shù)具有非常高的價(jià)值和意義。 2011年，湘西保靖縣“苗畫”入選第三批國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)名錄。湘西苗畫是苗族文化的奇葩，是在傳統(tǒng)的繡花樣稿上面發(fā)展起來(lái)的一種獨(dú)立畫種。苗畫的作品取材十分廣泛，構(gòu)圖新穎大膽，線條穿插有致，色彩協(xié)調(diào)而且豐富，，具有濃烈的民族味道。苗畫有很大的歷史價(jià)值，不但記錄著苗族的歷史文化，是苗族精神思想和智慧技能的載體，同時(shí)也充當(dāng)著苗族人民感情溝通的橋梁。除此之外，苗畫的藝術(shù)和文化價(jià)值也非常值得學(xué)者們?nèi)ヌ接憽?苗畫作為如此有價(jià)值的民族文化，對(duì)于它的保護(hù)也顯得非常有意義。當(dāng)前我國(guó)的民族文化面臨著各種流失的危機(jī)，采取一系列的保護(hù)措施勢(shì)在必行，同時(shí)苗畫已經(jīng)是我國(guó)的非物質(zhì)文化遺產(chǎn)，作為非物質(zhì)文化遺產(chǎn)，不單是我國(guó)民族精神的載體，也是民族精神與傳統(tǒng)文化的重要內(nèi)容。對(duì)于非物質(zhì)文化遺產(chǎn)的保護(hù)是當(dāng)前我國(guó)對(duì)于文化遺產(chǎn)的保護(hù)的一項(xiàng)重大的工程。因此結(jié)合對(duì)非物質(zhì)文化遺產(chǎn)的保護(hù)政策，提出對(duì)于苗畫的一些新型的保護(hù)方式以及呼吁政府采取相關(guān)政策，具有非常重要的意義。
[Abstract]:To study the national characteristics of a nation, we must start with this national culture, because the characteristics of a nation are basically reflected in the traditional culture of this nation. Since ancient times, Xiangxi has been a region with distinctive national characteristics and profound national heritage. The Miao culture plays a leading role in this area. The traditional culture of the Miao nationality in Xiangxi is rich and colorful and has a long history. All along, the Miao people have worked hard and created a very rich national culture. The fine arts of ethnic minorities are an important part of the national art in China, and the study of the fine arts of ethnic minorities is of great value and significance. In 2011, "Miao painting" was selected into the third batch of national intangible cultural heritage list. Xiangxi Miao painting is a rare flower of Miao culture. Miao painting is a kind of independent painting developed on the basis of traditional embroidery. The works of Miao painting are very broad in materials, novel in composition, bold in composition, well interspersed in lines, harmonious in color and rich in color. Miao painting has great historical value. It not only records the history and culture of the Miao people, but also acts as a carrier of the Miao people's spiritual thoughts and wisdom skills, and also acts as a bridge between the feelings of the Miao people. The artistic and cultural value of Miao painting is also worth discussing by scholars. As such a valuable national culture, Miao painting is of great significance to its protection. At present, the national culture of our country is facing various crises of loss, so it is imperative to take a series of protective measures. At the same time, Miao painting has become the intangible cultural heritage of our country. As an intangible cultural heritage, it is not only the carrier of the national spirit of our country. It is also an important part of national spirit and traditional culture. The protection of intangible cultural heritage is an important project in our country at present. Therefore, combined with the protection policy of intangible cultural heritage, It is of great significance to put forward some new ways of protection for Miao painting and to call on the government to adopt relevant policies.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J219;G122

【參考文獻(xiàn)】

中國(guó)期刊全文數(shù)據(jù)庫(kù) 前10條

1 張海鷹;民俗旅游可持續(xù)發(fā)展策略研究[J];高師理科學(xué)刊;2004年02期

2 肖剛;肖海;石惠春;;非物質(zhì)文化遺產(chǎn)的旅游價(jià)值與開發(fā)[J];江西財(cái)經(jīng)大學(xué)學(xué)報(bào);2008年02期

3 王焯;;非物質(zhì)文化遺產(chǎn)產(chǎn)業(yè)化原則的界定與模式構(gòu)建[J];江西社會(huì)科學(xué);2010年08期

4 譚衛(wèi)華;羅康隆;;淺析非物質(zhì)文化遺產(chǎn)的旅游資源化途徑——以湘西苗族鼓舞為例[J];柳州師專學(xué)報(bào);2009年06期

5 周星;民族民間文化藝術(shù)遺產(chǎn)保護(hù)與基層社區(qū)[J];民族藝術(shù);2004年02期

6 何大恒;;淺論“非物質(zhì)文化遺產(chǎn)”保護(hù)工作的重要意義[J];劇作家;2009年06期

7 田魯;民族藝苑中的一朵奇葩——湘西苗族刺繡藝術(shù)賞析[J];黔東南民族師范高等�？茖W(xué)校學(xué)報(bào);2002年05期

8 辛儒;;我國(guó)非物質(zhì)文化遺產(chǎn)產(chǎn)業(yè)化經(jīng)營(yíng)問(wèn)題探討[J];生產(chǎn)力研究;2008年06期

9 熊曉輝;;湘西苗族傳統(tǒng)文化述略[J];教育文化論壇;2009年02期

10 劉水良;吳吉林;;貧困地區(qū)非物質(zhì)文化遺產(chǎn)產(chǎn)業(yè)化博弈分析[J];資源開發(fā)與市場(chǎng);2011年11期

中國(guó)重要報(bào)紙全文數(shù)據(jù)庫(kù) 前2條

1 本報(bào)記者 王斯敏　耿建擴(kuò);[N];光明日?qǐng)?bào);2009年

2 程惠哲;[N];經(jīng)濟(jì)觀察報(bào);2006年

本文編號(hào)：1614115