“為中國畫——全國高等藝術(shù)院校人物畫教學(xué)研討會(huì)暨教師、學(xué)生寫生作品展”前言
發(fā)布時(shí)間:2018-03-10 20:18
本文選題:時(shí)代機(jī)遇 切入點(diǎn):高等藝術(shù)院校 出處:《美術(shù)研究》2017年03期 論文類型:期刊論文
【摘要】:正當(dāng)代中國畫的發(fā)展仍然處在挑戰(zhàn)與機(jī)遇并存的文化環(huán)境之中,信息傳播的便捷構(gòu)成活躍的學(xué)術(shù)交流條件,整個(gè)社會(huì)對(duì)傳統(tǒng)文化價(jià)值的認(rèn)知不斷提升,文化氛圍愈重文化傳承,這使得中國畫前所未有地得到了重視,中國畫界應(yīng)當(dāng)珍惜這一寶貴的條件,在這樣的時(shí)代機(jī)遇下?lián)?dāng)起傳承與創(chuàng)新的責(zé)任。另一方面,來自圖像世界的挑戰(zhàn)也仍然嚴(yán)峻,在日趨扁平化的圖像信息時(shí)代,更應(yīng)當(dāng)研究中國畫的造型方式,充分發(fā)揮筆墨的特征,彰顯中國畫的內(nèi)在精神。
[Abstract]:The development of modern Chinese painting is still in the cultural environment of both challenges and opportunities. The convenient communication of information constitutes an active academic exchange condition, the whole society's cognition of traditional cultural value is constantly improved, and the cultural atmosphere is more important for cultural inheritance. This makes Chinese painting get more attention than ever. The Chinese painting circle should cherish this precious condition and take on the responsibility of inheriting and innovating under the opportunity of the times. On the other hand, the challenge from the image world is still severe. In the increasingly flat image information age, we should study the modeling mode of Chinese painting, give full play to the characteristics of ink and pen, and highlight the inner spirit of Chinese painting.
【作者單位】: 中央美術(shù)學(xué)院;中國美術(shù)家協(xié)會(huì);
【分類號(hào)】:J212-4
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本文編號(hào):1594910
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