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油畫造型體系被洪濱絲畫的借鑒與轉(zhuǎn)化

發(fā)布時(shí)間:2018-03-09 07:04

  本文選題:油畫 切入點(diǎn):洪濱絲畫 出處:《南京航空航天大學(xué)》2014年碩士論文 論文類型:學(xué)位論文


【摘要】:油畫造型體系影響的馬鞍山洪濱絲畫,獨(dú)創(chuàng)了新的視覺藝術(shù)樣式,自二十世紀(jì)八十年代以來至今在國內(nèi)及國際上獲得許多榮譽(yù)。洪濱絲畫的表現(xiàn)形式大多是從油畫中借鑒與轉(zhuǎn)化而來,具有較強(qiáng)的藝術(shù)感染力。目前針對(duì)油畫藝術(shù)如何影響洪濱絲畫研究的著述所見極少,而所能查閱的有關(guān)洪濱絲畫的文獻(xiàn)也僅僅是介紹性的通俗讀物,本文對(duì)洪濱絲畫如何從油畫元素中借鑒、轉(zhuǎn)化以及發(fā)展作了系統(tǒng)深入的研究,力求撰寫較為系統(tǒng)深入完整的理論研究文章。 筆者用數(shù)月時(shí)間考察了馬鞍山洪濱絲畫,走訪了制作洪濱絲畫的民間藝術(shù)家,搜集到了較為豐富、詳盡、準(zhǔn)確的第一手資料,根據(jù)洪濱絲畫發(fā)展的脈絡(luò),對(duì)油畫藝術(shù)在審美形式、圖像形式、創(chuàng)作題材、制作技法如何影響洪濱絲畫的發(fā)展進(jìn)行研究,分析論述了洪濱絲畫呈現(xiàn)出油畫藝術(shù)的造型渾厚、細(xì)膩、色彩強(qiáng)烈、濃郁等特征,并指出洪濱絲畫在學(xué)習(xí)、借鑒油畫藝術(shù)元素的的基礎(chǔ)上,要不斷開拓審美、題材、形式等設(shè)計(jì)新思路,,以促進(jìn)洪濱絲畫的發(fā)展。 本文分主要分為三個(gè)部分,第一部分是概述油畫對(duì)洪濱絲畫發(fā)展的影響;第二部分是分析洪濱絲畫圖像形式對(duì)油畫圖像形式的借鑒,論述了油畫構(gòu)圖、造型元素、造型藝術(shù)特點(diǎn)在洪濱絲畫中的體現(xiàn);第三部分是油畫創(chuàng)作題材、技法與展示形式在洪濱絲畫中的轉(zhuǎn)化。闡述洪濱絲畫如何借鑒油畫古典寫實(shí)肖像畫的創(chuàng)作原理、繪畫性技法和展示形式;并建議洪濱絲畫在學(xué)習(xí)、借鑒油畫藝術(shù)的同時(shí),尋找新突破,找尋更具自身特色的審美取向。促進(jìn)洪濱絲畫這一民間藝術(shù)的發(fā)展。
[Abstract]:Ma'anshan Hongbin silk painting, influenced by oil painting modeling system, has created a new visual art style. Since 1980s, he has won many honours both at home and abroad. Most of the manifestations of Hongbin silk paintings are drawn from and transformed from oil paintings. It has a strong artistic appeal. At present, there are very few works on how oil painting affects the study of Hongbin silk painting, and the literature on Hongbin silk painting can be consulted only as an introductory popular reading material. In this paper, how to draw lessons from the elements of oil painting, transformation and development of Hongbin silk painting is studied systematically and deeply, and a more systematic and complete theoretical research paper is written. The author spent several months investigating the Hongbin silk paintings in Ma'anshan, and visited the folk artists who made them, and collected rich, detailed and accurate first-hand information, according to the development of the Hongbin silk paintings. This paper studies how oil painting art affects the development of Hongbin silk painting in aesthetic form, image form, creation subject matter and production technique. It is pointed out that on the basis of studying and drawing lessons from the elements of oil painting, Hongbin silk painting should constantly develop new ideas of aesthetic appreciation, subject matter and form, so as to promote the development of Hongbin silk painting. This paper is divided into three parts, the first part is an overview of the oil painting on the development of Hongbin silk painting, the second part is to analyze the image form of Hongbin silk painting to the oil painting image form, discussed the oil painting composition, modeling elements, The third part is the conversion of oil painting subject matter, technique and display form in Hongbin silk painting. How to use Hongbin silk painting for reference to create the principle of oil painting classical realistic portrait painting, the third part is the transformation of oil painting creation subject matter, technique and display form in Hongbin silk painting. It is suggested that Hongbin silk painting should learn from oil painting art, seek new breakthrough and find its own aesthetic orientation, and promote the development of Hongbin silk painting, which is a folk art.
【學(xué)位授予單位】:南京航空航天大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J213

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