本文選題：水彩　切入點：當(dāng)代繪畫　出處：《中國美術(shù)學(xué)院》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：本文旨在討論水彩在當(dāng)代繪畫中的價值與表現(xiàn)，無論是優(yōu)秀的獨立水彩作品，還是綜合材料繪畫中的水彩現(xiàn)象，都將納入本文的研究范圍。從材料自身特點的表現(xiàn)去發(fā)掘它對表達(dá)藝術(shù)家觀念和呈現(xiàn)作品氣質(zhì)的作用，，是本文切入的角度。我試圖通過對當(dāng)代繪畫水彩現(xiàn)象的廣泛搜集和整理式的研究，找出水彩因其材料特質(zhì)而被中西當(dāng)代藝術(shù)家接受并使用的原因，從而確立水彩在當(dāng)代繪畫中的地位和藝術(shù)價值取向。
[Abstract]:The purpose of this paper is to discuss the value and performance of watercolor in contemporary painting, whether it is an outstanding independent watercolor painting or a watercolor phenomenon in composite material painting. Will be included in the scope of this paper. From the characteristics of the material itself to explore its role in the expression of the artist's ideas and the presentation of the work temperament, I try to find out the reason why watercolor has been accepted and used by Chinese and Western contemporary artists because of its material characteristics through the extensive collection and arrangement of contemporary painting watercolor phenomenon. In order to establish the status of watercolor in contemporary painting and artistic value orientation.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 鄒建敏;;談中國水彩藝術(shù)中的水墨精神[J];美術(shù)觀察;2010年08期

2 陶昌平;孫寶瑞;;試論水彩語言[J];攀枝花學(xué)院學(xué)報;2010年01期

3 杜紀(jì)海;;形妙,色透,韻悠——試析水彩畫的繪畫語言特色[J];三明學(xué)院學(xué)報;2012年03期

本文編號：1586949