本文選題：工筆畫(huà)　切入點(diǎn)：創(chuàng)作　出處：《沈陽(yáng)師范大學(xué)》2016年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：礦物質(zhì)顏料在中國(guó)古代繪畫(huà)中被稱為“丹青”�！暗で唷币辉~最早是指可以被制成顏料的礦石,《說(shuō)文解字》中就對(duì)“丹”和“青”進(jìn)行了解釋?zhuān)骸暗ぁ蹦藶椤鞍驮街嗍病?即為朱砂；而“青”則為“東方色也”,指的是藍(lán)銅礦及青金石。在中國(guó)繪畫(huà)歷史中,色彩一直具有重要的地位。運(yùn)用礦物質(zhì)顏料進(jìn)行作畫(huà),曾經(jīng)在歷史上處于主導(dǎo)的地位。宋以后,人們審美意識(shí)發(fā)生變化,水墨文人畫(huà)的興起,礦物質(zhì)顏料的使用日漸式微,僅存在于卷軸的青綠山水畫(huà)以及部分工筆畫(huà)中,不再處于畫(huà)壇的主流。礦物質(zhì)顏料具有穩(wěn)定性及耐光性強(qiáng)、色彩明快且不易變色、色澤優(yōu)美、透明程度差、肌理多變、發(fā)色性能好、覆蓋能力強(qiáng)、色相美等特點(diǎn)。礦物質(zhì)顏料隨著現(xiàn)代科技的發(fā)展,不斷產(chǎn)生新的品種,彌補(bǔ)了天然礦物質(zhì)顏料在色彩上的不足。礦物質(zhì)顏料的使用不僅是一種復(fù)興,更是一種創(chuàng)新,它的使用適應(yīng)現(xiàn)代繪畫(huà)創(chuàng)作中對(duì)色彩、材質(zhì)、肌理的審美旨趣的需求,同時(shí)給人以新的視覺(jué)體驗(yàn)。本文論述主要分為三個(gè)部分：第一部分簡(jiǎn)要闡述了礦物質(zhì)顏料的概況,主要分為特點(diǎn)介紹與在傳統(tǒng)繪畫(huà)中運(yùn)用探究：第二部分主要研究在當(dāng)代工筆畫(huà)中礦物質(zhì)顏料的使用,分為兩個(gè)小節(jié)：第一小節(jié)概述當(dāng)今工筆畫(huà)的發(fā)展現(xiàn)狀,礦物質(zhì)顏料可以給當(dāng)代工筆畫(huà)帶來(lái)新活力,第二小節(jié)論述了當(dāng)代工筆畫(huà)中礦物質(zhì)顏料使用的案例分析；第三部分重點(diǎn)論述筆者在創(chuàng)作過(guò)程中對(duì)礦物質(zhì)顏料運(yùn)用的一些嘗試與感悟,通過(guò)以上三部分的分析以及個(gè)人創(chuàng)作實(shí)踐,認(rèn)識(shí)礦物質(zhì)顏料的特點(diǎn)及應(yīng)用前景,做好礦物質(zhì)顏料的繼承和發(fā)展。最后結(jié)語(yǔ)是對(duì)文章的總結(jié)。筆者認(rèn)為,對(duì)通過(guò)對(duì)礦物質(zhì)顏料的認(rèn)識(shí)與實(shí)踐,古為今用,探索全新的工筆繪畫(huà)語(yǔ)言,推動(dòng)礦物質(zhì)顏料在工筆畫(huà)中實(shí)踐運(yùn)用,為中國(guó)畫(huà)的發(fā)展帶來(lái)全新的面貌和更為廣闊的表現(xiàn)空間。
[Abstract]:Mineral pigments called "Dan" in ancient China painting. "Dan" was the word that can be made into pigment ore on the < ShuoWenJieZi > "Dan" and "green" explained: "Dan" is "Pakistan is chishi", namely cinnabar the "green"; for the "East", refers to the blue copper and lapis lazuli. In China painting history, color plays an important role. The use of mineral pigments to paint, has been in the leading position in the history. The Song Dynasty, people's aesthetic consciousness changes, the rise of Chinese ink painting the use of mineral pigment, the decline only exists in the green landscape painting scroll and painting, no longer in the mainstream of the painting. Mineral pigment is stable and strong light, bright color and not easy to change color, color beautiful, transparent, texture and changeable, Hair color performance, covering ability, color beauty characteristics mineral pigments. With the development of modern technology, constantly produce new varieties, which makes up the shortage of natural mineral pigments in color. The use of mineral pigment is not only a kind of Renaissance, is also a kind of innovation, the use of modern painting in the creation of the the color, texture, texture aesthetic needs, at the same time to give people a new visual experience. This paper is mainly divided into three parts: the first part briefly expounds the general situation of mineral pigments, mainly divided into the introduction and features in the traditional painting by inquiry: the second part mainly studies the use of mineral pigments in contemporary fine brushwork which is divided into two sections: the current development situation of the painting of the first section introduction, mineral pigments can bring new vitality to the contemporary painting, the second section discusses the mineral of contemporary fine brushwork Analysis of pigments used case; the third part focuses on the author in the creation process of some attempts and perception of mineral pigments used, through the above three parts of the analysis and creation of individual practice, understanding the characteristics and application prospect of mineral pigments, the inheritance and development of good mineral pigment. The conclusion of the article is to summarize the author. Think of the past serve the present understanding and practice, to explore new mineral pigments, fine brushwork, promote mineral pigments used in painting practice, for the development of China painting bring a new look and more vast space.

【學(xué)位授予單位】：沈陽(yáng)師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J212

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本文編號(hào)：1585618