本文關(guān)鍵詞：滕固繪畫史學(xué)思想探究——對滕固兩部繪畫史著的考察與比較，由筆耕文化傳播整理發(fā)布。

1.

Characters and the Cause of Painting History Study in the Qing Dynasty in Different Stages

清代繪畫史學(xué)分期特色及其成因分析

2.

The Establishment of the System of Chinese Painting History in Modern Times-Comment on Three Works of Painting History during the Republic of China;

現(xiàn)代中國繪畫史學(xué)體系的建構(gòu)——評民國時期三部繪畫史著作

3.

“The German Pattern” of the Modern Art History of Tengku;

試論滕固現(xiàn)代繪畫史學(xué)中的“德國模式”

4.

Yu Jianhua and Modern History of Art--a Study of the History of Painting

俞劍華與現(xiàn)代美術(shù)史學(xué)——以繪畫史研究為中心

5.

Painting Connotation and Time Spirit--On the valuation of art history and time meaning of the"Four Wangs"in the Qing Dynasty

筆墨內(nèi)涵與時代精神——論清“四王”繪畫的美術(shù)史價值和時代意義

6.

On the Painting of the Characters Dress and Adornment in the Dream of the Red Chamber by Sun Wen of Qing Dynasty;

清代孫溫繪全本《紅樓夢》中人物服飾繪畫研究

7.

Fully Considerations about History of Ancient Chinese Painting Problems Periods

對中國古代繪畫史分期問題的再研究

8.

The Study on Cause of Formation about the Transformation of Huang Shen's Painting in the Middle of Qing Dynasty

清代前中期黃慎繪畫轉(zhuǎn)型的成因研究

9.

A Study of Teng Gu's Historiography of Chinese Painting History during the Republic of China between 1912 and 1949;

1912-1949年民國繪畫史學(xué)史視野下的滕固史學(xué)

10.

Teng Gu s Study of the History of Modern Painting: Examination and Comparison of His Two Histories of Modern Painting;

滕固繪畫史學(xué)思想探究——對滕固兩部繪畫史著的考察與比較

11.

A comparison between paintings by amateur literati in the Qing Dynasty and western modern painting;

中國明清文人畫與西方現(xiàn)代派繪畫之比較

12.

The Qingming Festival on the River

清明上河圖（繪畫）

13.

The children study English, history, music, painting, and the like.

孩子們學(xué)習(xí)英語、歷史、音樂、繪畫等等。

14.

Textual Researcher Tong Shuye’s Study on the Chinese Painting History

考據(jù)學(xué)人童書業(yè)的中國繪畫史論研究

15.

Literature·Painting·Spirit-The Artistic Character of Contemporary Writer and Painter LIANG Bin s Paintings;

文學(xué)·繪畫·精神——當(dāng)代文學(xué)家、國畫家梁斌繪畫的藝術(shù)品格

16.

The Influence of Taizhou School on the Drawing Thinking of Later Ming and Early Qing Dynasties;

泰州學(xué)派對明末清初繪畫思想的影響

17.

Comparison between Suzhou Graving of Prosperous Qing Dynasty & Ukiyoe in Edo Period

清盛期蘇州版畫與江戶時代浮世繪之比較

18.

Skillful and Natural:On YUAN Jiang's and YUAN Yao's Paintings of the Qing Dynasty

工致精巧,自然天趣——論清代袁江袁耀的繪畫

  本文關(guān)鍵詞：滕固繪畫史學(xué)思想探究——對滕固兩部繪畫史著的考察與比較，由筆耕文化傳播整理發(fā)布。