本文選題：黃庭堅　切入點：題畫詩、跋　出處：《江西社會科學》2016年05期 　論文類型：期刊論文

【摘要】：北宋江西籍詩人、書法家黃庭堅是宋代題畫詩、跋之大家,留存至今的約有兩百多首,這些題畫詩、跋中蘊含著豐富的繪畫思想。歸納其蘊含的繪畫思想主要表現(xiàn)在以禪論畫、畫當觀韻、渾然天成三個方面:黃庭堅認為繪畫在表現(xiàn)筆墨情韻之外還應表現(xiàn)畫家的心靈感悟,通過超越技法、富含意味的物象來傳遞只可意會、無須言傳的意趣與韻味,從而達到明心見性、表現(xiàn)理趣、直指"本真"的境界;繪畫作品的優(yōu)劣主要表現(xiàn)在是否有"韻"上,"韻"是一種超越物象與筆墨技巧之外的畫外之意,象外之神,筆外之趣,是以心馭筆,心跡自然外泄的結(jié)果,繪畫有"韻"則不欲,應當絕俗、避俗;繪畫是"心象"的自然流露,強調(diào)"心"與"悟"的作用,突破一切法度與規(guī)矩的束縛,達到"技進乎道"、"不裝巧飾"、"與天成功"的自由創(chuàng)作境界。
[Abstract]:Huang Tingjian, the Jiangxi poet and calligrapher of the Northern Song Dynasty, is a member of the Song Dynasty who wrote paintings and postscript poems. There are more than 200 poems written in the Song Dynasty. These poems and postscript contain rich painting thoughts. Painting should be viewed in three aspects: Huang Tingjian thinks that painting should also express the artist's spiritual feeling in addition to expressing the ink and pen sentiment, and pass on only the will and charm without the expression of interest and charm by transcending the technique and rich in the image of the object. In order to achieve clarity of mind, to express rational interests, and to point directly to the realm of "original truth", the merits and demerits of painting works are mainly manifested in whether there is a "rhyme", "rhyme" is a kind of extrashart meaning, like a god outside the picture, and an interest outside the pen that transcends the physical image and the technique of pen and ink. It is the result of using the heart to control the pen, the mind is naturally leaking out, the painting has the "rhyme", it is not the desire, should reject the vulgarity, the painting is the "mind image" the nature reveals, emphasizes the function of "the heart" and "the enlightenment", breaks through all the laws and the rule's restraint, To achieve the "technology into the road", "do not pretend artistry", "and the success of heaven" free creative realm.
【作者單位】： 東華理工大學藝術學院視覺傳達系;
【基金】：江西省藝術科學規(guī)劃項目“黃庭堅題畫詩蘊涵的繪畫思想及當代價值研究”(YG2013124)
【分類號】：I207.22;J212

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