本文選題：當代　切入點：彝族　出處：《西南大學》2014年碩士論文　論文類型：學位論文

【摘要】：彝族題材油畫從最初新中國成立以后的零星出現(xiàn),發(fā)展到鄉(xiāng)土時期成為中國油畫風景里面的一道靚麗的風景線,再到當下本土一批以彝族文化身份為背景的彝族畫家的成長,為彝族題材油畫創(chuàng)作奠定了堅實的基石,并取得了累累碩果。彝族題材油畫創(chuàng)作的主體從最初以漢族為主體的畫家群體發(fā)起、發(fā)展及延續(xù),到當下隨著本土彝族畫家群體的成長,彝族油畫創(chuàng)作主要是以本土彝族畫家群體為主。雖然已經(jīng)有很多的藝術家在進行彝族題材油畫創(chuàng)作,同時有豐富的繪畫成果,但是對當代彝族題材油畫的理論梳理研究目前很少。本文從梳理彝族題材油畫入手,結合作品分析,對彝族題材油畫有個客觀的認識,分析當代彝族題材油畫存在的問題,在此基礎上分析及思考其存在的問題,提出自己的思考。 本研究總體上分為三個章節(jié)： 第一章通過搜集彝族題材油畫作品和相關文字資料,結合中國油畫發(fā)展的歷史和少數(shù)民族題材油畫的發(fā)展歷史,對彝族題材油畫的發(fā)展歷史做一個淺顯的概括歸納并定位。 第二章對當代彝族題材油畫創(chuàng)作中的兩種藝術視角的分析。彝族題材油畫創(chuàng)作主體有非彝族的畫家群體和彝族畫家群體,由于其文化身份的不同其創(chuàng)作有不同的藝術視角。非彝族畫家群體的“他者”視角；彝族畫家群體的“本土”視角。 第三章分析當代彝族題材油畫創(chuàng)作存在的問題。 通過本研究得出結論：作為彝族題材油畫家必須潛心研究彝族傳統(tǒng)文化藝術精神,思考彝族傳統(tǒng)文化深層價值,尋找其中有益于促進彝族題材油畫發(fā)展的元素,提高藝術創(chuàng)作整體水平,深化彝族題材油畫作品的深度。同時要直面當下彝族人社會生活的變化,創(chuàng)作出能夠反映當下彝族人的生存現(xiàn)實、心靈現(xiàn)實的具有時代感的油畫作品。
[Abstract]:Yi subject matter oil paintings appeared sporadically after the founding of New China at the beginning, and developed into a beautiful landscape in Chinese oil painting during the local period, and then to the growth of a group of Yi painters in the present local culture background. It has laid a solid foundation for the creation of oil paintings of Yi nationality subject matter, and has made numerous achievements. The main body of Yi subject oil painting creation started, developed and continued from the group of painters with the Han nationality as the main body at the beginning. At present, with the growth of local Yi painters, Yi oil painting is mainly composed of local Yi painters. Although there are already many artists working on Yi subject matter oil paintings, there are also rich painting achievements. However, there is little research on the theory of the contemporary Yi subject oil painting. This paper starts with combing the Yi subject oil painting, combining with the analysis of the works, has an objective understanding of the Yi subject oil painting, and analyzes the problems existing in the contemporary Yi subject oil painting. On the basis of the analysis and thinking of its existing problems, put forward their own thinking. This study is divided into three chapters:. The first chapter through the collection of Yi subject oil painting works and related materials, combined with the development of Chinese oil painting history and the development history of ethnic minority oil painting, Yi theme oil painting development history of a simple summary and positioning. In the second chapter, the author analyzes two kinds of artistic perspectives in the creation of oil paintings on the subject of the Yi nationality. The main subjects of the oil paintings of the Yi nationality are the non-Yi painters and the Yi painters. Because of its different cultural identity, its creation has different artistic perspectives, the "other" perspective of non-Yi painters and the "native" perspective of Yi painters. The third chapter analyzes the problems existing in the creation of contemporary Yi subject matter oil painting. The conclusion is as follows: as oil painters of Yi nationality subject matter, they must concentrate on the study of Yi traditional culture and art spirit, think about the deep value of Yi traditional culture, and find out the elements beneficial to the development of Yi subject oil painting. To improve the overall level of artistic creation, deepen the depth of Yi subject oil paintings, at the same time to face the changes in the current Yi people's social life, to create oil paintings with a sense of the times that can reflect the present Yi people's living reality and spiritual reality.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213

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