本文選題：油畫(huà)　切入點(diǎn)：人物畫(huà)　出處：《西安美術(shù)學(xué)院》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：輪廓線，，物體的“外部線條、邊緣線條、邊緣呈虛實(shí)線條”，在任何藝術(shù)構(gòu)圖中以單獨(dú)或群體形式出現(xiàn)，體現(xiàn)在景物、人體等事物最外邊緣的輪廓界線，是物與物之間、物與襯托背景之間的“顯性界線”。也是繪畫(huà)的重要表現(xiàn)形式之一,它是作為物象造型最原始的勾勒也是最終確定造型是否成功的最重要評(píng)判,而在油畫(huà)作品的表現(xiàn)方面,輪廓線具有藝術(shù)觀賞上、藝術(shù)創(chuàng)作上，無(wú)可替代的價(jià)值。本論文重點(diǎn)研究對(duì)比論證，中、外兩位對(duì)人物油畫(huà)在輪廓線上有獨(dú)到理解與表現(xiàn)追求的畫(huà)家，他們油畫(huà)中輪廓線的形式之美。
[Abstract]:The "outer line, edge line, edge of an object which appears in any artistic composition in the form of an individual or a group, and is embodied in the boundary of the outermost edge of things, such as the scene, the human body, and between objects," The "dominant boundary" between the object and the background is also one of the most important forms of painting. It is the most primitive outline of the object shape and the most important judgment to determine whether the modeling is successful or not, and in the aspect of the performance of the oil painting, The contours have the value of artistic appreciation and artistic creation. This paper focuses on the comparative study and demonstration, in which there are two painters who have a unique understanding and performance pursuit of the figure oil painting on the contours. The beauty of the contours in their paintings.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 豐明;李甲;;油畫(huà)人物外輪廓線的表現(xiàn)形式[J];泰安教育學(xué)院學(xué)報(bào)岱宗學(xué)刊;2009年01期

2 王長(zhǎng)平;;安格爾《大宮女》美學(xué)解構(gòu)[J];藝術(shù)百家;2009年S2期

本文編號(hào)：1570240