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吳冠中藝術精神在本人繪畫中的實踐

發(fā)布時間:2018-03-05 10:56

  本文選題:油畫民族化 切入點:國畫現(xiàn)代化 出處:《海南大學》2017年碩士論文 論文類型:學位論文


【摘要】:吳冠中的繪畫藝術在當代浩瀚的藝術長空中之所以能熠熠閃爍、獨樹一幟,是因為其具有兩個精神:對美之追求的執(zhí)著精神和不拘形式的"拿來精神"。在當代藝術中,各種哲學思辨和主義流派泛濫,為了能夠脫穎而出,無不極力模仿、臆造某種極致的形式或樣式,與繪畫這一視覺藝術的初衷漸行漸遠,甚至與"美"無關,與"視覺無關",而吳冠中卻不為所動,不拘形式,始終執(zhí)著于對"美"的追求,以魯迅的拿來主義進行了中與西、傳統(tǒng)與現(xiàn)代、抽象與具象的融合,最終成就了自己獨特的藝術面貌,吳冠中以美的追求為藝術內(nèi)核,以拿來主義為表現(xiàn)形式的藝術精神令本人深深為之觸動并在藝術創(chuàng)作中努力實踐著。本文從吳冠中繪畫藝術的形成過程、繪畫藝術美的特色及其鮮明的藝術主張等方面概述其藝術成就,探索其繪畫藝術對本人繪畫創(chuàng)作的啟示。本文著重研究吳冠中繪畫藝術的美的形式,從點構成、線構成、面構成及點線面結合構成視角分析吳冠中繪畫作品的抽象美;從疏密對比、重復構成等形式分析其作品的形式美;從色彩的灰調(diào)、鮮調(diào)角度分析其繪畫作品的色彩美以及意境美。對其"筆墨當隨時代"、"風箏不斷線"等鮮明的藝術主張結合個人繪畫創(chuàng)作體會進行深入解讀。通過對吳冠中繪畫特色及藝術主張的研究,結合本人的繪畫實踐,探索、提煉出海南特有的海港漁船點、線、面的形式美感,豐富的熱帶植物抽象出的線構成以及碧海藍天的色彩呈現(xiàn)的意境美。
[Abstract]:The reason why Wu Guanzhong's painting art is shining in the vast sky of contemporary art is that it has two spirits: the persistent spirit of pursuing beauty and the "bringing spirit" of informal form. In order to be able to stand out from the crowd, all kinds of philosophical speculative and ideological schools have tried their best to imitate and invent some kind of extreme form or style, which is far away from the original intention of the visual art of painting, and even has nothing to do with "beauty". While Wu Guanzhong has nothing to do with "vision", Wu Guanzhong is unmoved and informal, and always persevered in the pursuit of "beauty", combining Chinese and western, traditional and modern, abstract and concrete with Lu Xun's doctrine. In the end, he made his own unique artistic appearance. Wu Guanzhong took the pursuit of beauty as the core of his art. I am deeply touched by the spirit of art in the form of taking the form of doctrine and I have been working hard in my artistic creation. This paper starts with the forming process of painting art in Wu Guanzhong. The characteristics of painting art beauty and its distinctive artistic propositions summarize its artistic achievements and explore the inspiration of its painting art to my painting creation. This paper focuses on the form of beauty of Wu Guanzhong's painting art, from the point composition, line composition, etc. This paper analyzes the abstract beauty of Wu Guanzhong's painting works from the angle of face composition and the combination of points, lines and surfaces; analyzes the formal beauty of Wu Guanzhong's paintings from the aspects of dense contrast, repetition and other forms; and analyzes the grey tone of color, This paper analyzes the color beauty and artistic conception beauty of his painting works from the perspective of fresh tone, and deeply interprets his distinctive artistic propositions such as "pen and ink with the times" and "kite continuous line" combined with his personal painting creation experience. Through the painting of Wu Guanzhong. The study of characteristics and artistic propositions, Combined with my painting practice, this paper explores the beauty of the form of fishing vessel spot, line and surface in Hainan, the line composition abstracted by rich tropical plants and the artistic conception of blue sky and sea color.
【學位授予單位】:海南大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J205

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