本文關(guān)鍵詞： 中國動畫 傳統(tǒng)年畫 動畫創(chuàng)作 文化內(nèi)涵 審美　出處：《沈陽建筑大學》2013年碩士論文　論文類型：學位論文

【摘要】：動畫作為一門獨特的藝術(shù)形式,與其他藝術(shù)形式一樣都脫離不開其肥沃的文化土壤。每一部優(yōu)秀的動畫作品,不管是從它的藝術(shù)風格還是主題思想上都流露出本民族的文化特征,在動畫角色、人物性格、動作、臺詞、場景、道具的設(shè)計甚至是主題的設(shè)定等方面都或多或少的帶有本民族的文化烙印。 中國動畫的發(fā)展與中國傳統(tǒng)民間藝術(shù)有著不解之緣。早期的中國動畫,在動畫劇本、題材上吸收了中國傳統(tǒng)民間故事題材中的有益養(yǎng)分,在動畫造型藝術(shù)上汲取了中國傳統(tǒng)民間美學的精髓,在動畫文化思想上傳承和發(fā)展了中國傳統(tǒng)民間文化的精神內(nèi)涵,使中國動畫具有了獨特的民族內(nèi)涵和藝術(shù)魅力,也是傳統(tǒng)與現(xiàn)代的一次溝通。 中國元素的合理運用,將幫助我國的動畫產(chǎn)業(yè)有一個新的發(fā)展,創(chuàng)作品質(zhì)有一個新的提高。只要將動畫這個現(xiàn)代高新技術(shù)植根于我國民族文化的肥沃土壤中,借用新時代的審美情趣與先進的技術(shù)手法來深究傳統(tǒng)文化的精神內(nèi)涵,就能重新塑造出新時代的具有民族獨特的藝術(shù)風趣和藝術(shù)形象的民族動畫。傳統(tǒng)民間年畫,是民間文化藝術(shù)中最具代表性的一門藝術(shù),以其獨特造型和鮮明的特征給世人留下了深刻的印象�，F(xiàn)代動畫借助其廣泛的媒介傳播和靈活的表現(xiàn)手法,可以試圖將傳統(tǒng)年畫的畫面元素應用到動畫里,動畫借鑒年畫的喜悅、吉祥的意境,提煉年畫的藝術(shù)特征,取其精華去其糟粕,傳承民族文化精髓的同時,還拓寬了動畫的表現(xiàn)范圍,增加了動畫的新形式,探索出既具有鮮明民族文化特征又具有精湛技術(shù)的動畫現(xiàn)代作品。 本文以傳統(tǒng)年畫為考察對象,從中提取可供中國動畫創(chuàng)作汲取的創(chuàng)作詞匯,并對其藝術(shù)特征進行深刻剖析,追溯中國動畫和傳統(tǒng)年畫的歷史文化關(guān)聯(lián)、表現(xiàn)形式關(guān)聯(lián)、意境傳達關(guān)聯(lián),找出動畫創(chuàng)作與民間年畫傳承的結(jié)合點。借助現(xiàn)代動畫高科技的電腦技術(shù)手段和靈活的表現(xiàn)手法,挖掘傳統(tǒng)年畫中有價值的藝術(shù)文化內(nèi)涵,作為中國動畫藝術(shù)的創(chuàng)作源泉,使民族文化的精髓更好地融入到動畫藝術(shù)中去。并探討了將紙上的“靜”與影視的“動”相融合的可能性和優(yōu)勢性,從而找出適合中國動畫長久發(fā)展的新道路。在水墨動畫之外,創(chuàng)作出中國獨具一格的年畫動畫,給傳統(tǒng)年畫注入新鮮的生命力,賦予其新的審美內(nèi)涵,使中國動畫深深扎根于民族文化的土壤中,以其鮮明的民族特色,獨特的藝術(shù)形式,傳播文化,打動世界。
[Abstract]:As a unique art form, animation, like other art forms, can not be separated from its fertile cultural soil. Whether from its artistic style or its theme, it reveals the cultural characteristics of its own nation, in animated characters, characters, actions, lines, scenes, The design of props and even the setting of themes are more or less imprinted with their own culture. The development of Chinese animation has an inextricable relationship with Chinese traditional folk art. The early Chinese animation, in terms of animation scripts and themes, absorbed the beneficial nutrients of Chinese traditional folk stories. Drawing the essence of Chinese traditional folk aesthetics in animation plastic arts, inheriting and developing the spiritual connotation of Chinese traditional folk culture in the thought of animation culture, making Chinese animation have unique national connotation and artistic charm. It is also a communication between tradition and modernity. The rational use of Chinese elements will help our animation industry to have a new development and create a new quality. As long as animation, the modern high and new technology, is rooted in the fertile soil of our national culture, By borrowing the aesthetic interest of the new era and advanced technical techniques to explore the spiritual connotation of traditional culture, we can remodel the national animation with the unique artistic humor and image of the nation in the new era. Is one of the most representative folk culture and art art, with its unique shape and distinctive characteristics left a deep impression on the world. Modern animation with its extensive media dissemination and flexible expression techniques, We can try to apply the picture elements of the traditional New year painting to the animation. The animation can draw lessons from the joy and auspicious artistic conception of the New year Pictures, refine the artistic features of the New year Pictures, take its essence away from its dross, and pass on the essence of the national culture at the same time. It also broadens the scope of animation, increases the new form of animation, and explores modern animation works with distinctive national cultural characteristics and exquisite techniques. This article takes the traditional New year Pictures as the inspection object, extracts the creation vocabulary which can be absorbed by the Chinese animation creation, and carries on the profound analysis to its artistic characteristic, tracing back the historical and cultural connection and the expression form correlation between the Chinese animation and the traditional New year Pictures. The artistic conception conveys the connection, finds out the animation creation and the folk New year painting inheritance union point. With the aid of the modern animation high-tech computer technology means and the flexible expression technique, excavates the traditional New year painting valuable artistic and cultural connotation, As the fountainhead of Chinese animation art, the essence of national culture is better integrated into animation art, and the possibility and superiority of combining "static" on paper with "moving" of film and television are discussed. To find out a new way for the long-term development of Chinese animation. In addition to ink and water animation, to create a unique Chinese New year animation, to inject new vitality into the traditional New year painting, and give it a new aesthetic connotation. Chinese animation deeply rooted in the soil of national culture, with its distinctive national characteristics, unique art form, spread culture, move the world.
【學位授予單位】：沈陽建筑大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J218.3;J954

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本文編號：1538333