發(fā)布時(shí)間：2018-02-26 03:29

  本文關(guān)鍵詞： 當(dāng)代內(nèi)蒙古油畫 優(yōu)勢和特色 局限和不足　出處：《內(nèi)蒙古大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：在當(dāng)代中國的藝術(shù)影響中,內(nèi)蒙古油畫以其鮮明的特色而引人注目。無論是題材內(nèi)容還是形式語言,內(nèi)蒙古油畫都同內(nèi)地其他地區(qū)的油畫絕然不同,體現(xiàn)出獨(dú)特的地域特色和民族特色。 新時(shí)期以來,由于改革開放所帶來的文藝大發(fā)展、大繁榮,也極大地刺激了內(nèi)蒙古的油畫創(chuàng)作,畫家們被禁錮的思想得以解放,被束縛的手腳得以松綁,以極大的熱情投入到藝術(shù)創(chuàng)作中,創(chuàng)作了一大批無論是思想上還是藝術(shù)上都健康向上,特色鮮明的優(yōu)秀作品,為內(nèi)蒙古的民族文化大區(qū)建設(shè)做出了積極的貢獻(xiàn)。本文通過對當(dāng)代內(nèi)蒙古油畫創(chuàng)作的深入回顧、梳理與研究,總結(jié)了內(nèi)蒙古油畫創(chuàng)作的特色和優(yōu)勢,闡述了內(nèi)蒙古油畫在當(dāng)代中國畫壇的地位及作用,以期對當(dāng)下的內(nèi)蒙古油畫創(chuàng)作提供一點(diǎn)參照。本文分為五個(gè)部分：第一部分到第三部分對80年代以來內(nèi)蒙古油畫創(chuàng)作的發(fā)展歷程進(jìn)行了系統(tǒng)梳理,對所取得的成績進(jìn)行了總結(jié)；第四部分闡述了當(dāng)代內(nèi)蒙古油畫創(chuàng)作的優(yōu)勢和特色；第五部分對全球化語境下內(nèi)蒙古油畫創(chuàng)作的發(fā)展提出了自己的見解；最后為結(jié)論。
[Abstract]:In the influence of contemporary Chinese art, Inner Mongolia oil painting is striking for its distinctive characteristics. Whether in terms of subject matter or formal language, Inner Mongolia oil painting is absolutely different from oil paintings in other parts of the interior. Reflect the unique regional and national characteristics. Since the new era, because of the great development and prosperity of literature and art brought about by the reform and opening up, the oil painting of Inner Mongolia has also been greatly stimulated, and the minds of painters who have been imprisoned have been liberated, and their bound hands and feet have been untied. With great enthusiasm, he devoted himself to artistic creation, and created a large number of outstanding works, both ideologically and artistically, that were healthy and upward, with distinctive characteristics. This paper summarizes the characteristics and advantages of oil painting creation in Inner Mongolia by reviewing, combing and studying the contemporary oil painting creation in Inner Mongolia, which has made a positive contribution to the construction of Inner Mongolia ethnic culture region. This paper expounds the position and function of Inner Mongolia oil painting in contemporary Chinese painting world. This paper is divided into five parts: the first part to the third part of the Inner Mongolia oil painting since 80s the development of the history of a systematic review of the achievements of the summary; Part 4th expounds the advantages and characteristics of contemporary oil painting creation in Inner Mongolia; part 5th puts forward its own views on the development of oil painting creation in Inner Mongolia under the context of globalization; finally it is the conclusion.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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