發(fā)布時(shí)間：2018-02-26 00:05

  本文關(guān)鍵詞： 漆畫 傳統(tǒng) 借鑒　出處：《南昌大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：漆畫的發(fā)展很艱難，在國，油，版，雕等大藝術(shù)類別前她顯得過于稚嫩。一個(gè)畫種的成熟必須要經(jīng)歷時(shí)間的錘煉。不徘徊，不爭執(zhí)是不可能的。雖然漆畫可以簡單地理解為漆器的平面化，架上繪畫。漆藝縱然有7000年的悠久歷史，但是這7000年幾乎沒有脫離工藝性，沒有主觀創(chuàng)造性的藝術(shù)作品，更不要說藝術(shù)大師�；蛘哒f漆畫的產(chǎn)生也可以理解為振興漆藝的起始。如何發(fā)揮利用漆這一材料，如何在當(dāng)今藝術(shù)界站穩(wěn)腳跟。不僅僅是讓大眾了解這一畫種，了解這一藝術(shù)門類，讓其他藝術(shù)門類如油畫家，，國畫家正視漆畫這才不會(huì)讓髹漆之人沉溺于工巧。 不僅要注重自己的傳統(tǒng)，也要了解別的畫種，了解整個(gè)藝術(shù)史�，F(xiàn)在，國內(nèi)很多高校都開設(shè)了漆畫專業(yè)，但是在史論教學(xué)方面，由于漆畫發(fā)展短，理論少，爭議多，沒有系統(tǒng)的完善的史論樣本。漆畫專業(yè)的同學(xué)對別的畫種，藝術(shù)門類也知之甚少。這也就造成了創(chuàng)作思路的單一化，程式化，狹隘化。正是基于這點(diǎn)，本文才要從不同繪畫種類與漆畫的對比切入，取長補(bǔ)短，借鑒兄弟畫種的長處。這樣我們熱愛的漆畫才能得到真正的發(fā)展。不僅僅要飽含創(chuàng)作熱情，也要理性審視自己的創(chuàng)作思維
[Abstract]:The development of lacquer painting is very difficult, before the country, oil, edition, carving and other large categories of art, she seems too young. A painting must go through the maturation of time. Do not wander, It is impossible not to argue. Although lacquer painting can be easily understood as the flattening of lacquer ware and painting on the shelf. Even though lacquer art has a long history of 7000, there is almost no work of art that is independent of craftsmanship and subjective creativity in 7000. Not to mention the master of art. Or the creation of lacquer painting can also be understood as the beginning of revitalizing lacquer art. How to make use of paint as a material and how to stand firm in the art world today. It is not just to let the public understand this kind of painting. Understand this kind of art, let other kinds of art such as oil painters, Chinese painters face lacquer painting, so that painting people do not indulge in craftsmanship. We should not only pay attention to our own traditions, but also learn about other types of paintings and understand the whole history of art. Now, many colleges and universities in China have set up lacquer painting specialties, but in the teaching of history theory, due to the short development of lacquer painting, fewer theories and more controversy, There is no systematic and perfect sample of historical theory. Students of lacquer painting know very little about other painting types and art categories. This has resulted in the creation of a single, stylized, narrow way of thinking. It is based on this point, Only in this paper, we should compare different painting types with lacquer painting, learn from each other and draw on the strengths of our brothers. Only in this way can the lacquer painting we love get real development. Not only must we be full of creative enthusiasm, We should also examine our creative thinking rationally.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213.9

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