本文關(guān)鍵詞： 克里姆特 寓意畫主題 女性 藍(lán)色　出處：《華中師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：隨著全球化的不斷推進(jìn)帶來的文化交流,藝術(shù)領(lǐng)域的交流也在繁榮中更加向上發(fā)展,與之所形成的文化藝術(shù)的全球語境也成為一種藝術(shù)之間理解與融合的藝術(shù)語言的需求。藝術(shù)與文化不同,它不需要語言文字作為橋梁,也不會因?yàn)楦鲊Z言的不同而要進(jìn)行翻譯,它有著自我的獨(dú)特性,如音樂不需要語言,當(dāng)你傾聽它時能感到它所表達(dá)的悲傷和快樂。繪畫作品也是一樣,當(dāng)欣賞者站在它面前進(jìn)行審美活動時,它所傳達(dá)的情感也不需要語言的交流而能被人感知,這就是畫面內(nèi)容、畫外形式以及所包含的藝術(shù)語言的作用。色彩作為藝術(shù)語言中最能直接刺激視覺的一種,它與人的經(jīng)歷和社會經(jīng)驗(yàn)等方面共同作用形成的一定的情感體驗(yàn)。古斯塔夫·克里姆特是十九世紀(jì)維也納新藝術(shù)運(yùn)動的藝術(shù)大師,他的油畫作品總是充滿著絢麗的色彩,并且與他的畫中唯一的主角女性和畫面的主題有著隱秘復(fù)雜的關(guān)系,本文試圖來分析和探究其中關(guān)于藍(lán)色的運(yùn)用與畫面內(nèi)容與形式的關(guān)系,希望通過這些研究能夠幫助自己在畢業(yè)創(chuàng)作時對色彩的準(zhǔn)確運(yùn)用和判斷色彩去情感的關(guān)系。 全文共分六部分：第一部分是緒論,以國內(nèi)外研究為主線。文章探究了各個時期對克里姆特繪畫上對主題、作者的心理、繪畫的風(fēng)格、畫中的女性主義系統(tǒng)作了一個大致梳理,以為后文關(guān)與畫面情感和女性形象與主題的關(guān)系作鋪墊。 第二部分是以介紹克里姆特寓意性畫主題產(chǎn)生發(fā)展歷程和女性主題的形成為內(nèi)容。文章首先將克里姆特的繪畫作品進(jìn)行一個分類；其次,對寓意性畫主題以及產(chǎn)生的原因做進(jìn)行了闡述；最后是對畫面主題死亡與愛欲和畫面中女性之間的關(guān)系做一個簡單分析。 第三部分以闡述寓意畫中的藍(lán)色為核心。文章通過對上部分主題產(chǎn)生發(fā)展的歷程來分析其女性在畫面上角色定位,進(jìn)一步藍(lán)色與女性特質(zhì)之間的關(guān)系。通過研究和總結(jié)藍(lán)色在畫面上的形式表現(xiàn)和藍(lán)色與代表性的金色之間的色彩對比關(guān)系來將畫面的藍(lán)色做一個系統(tǒng)的歸納。 第四、五部分是畫面中的藍(lán)色與女性特質(zhì)的細(xì)致分析、中西方色彩觀的簡述。前一部分將畫面上的藍(lán)色與女性不同的特質(zhì)進(jìn)行了分類和論述。后一部分畫面中對中國傳統(tǒng)色彩和日本浮世繪的借鑒、西方傳統(tǒng)與發(fā)展變化的藍(lán)色色彩觀的分析 第六部分以總結(jié)色彩在油畫創(chuàng)作中的重要性主要內(nèi)容。首先說明了色彩作為藝術(shù)語言的獨(dú)特性與畫面情感傳遞的重要性；然后文章根據(jù)前文對相關(guān)問題的介紹與闡述,在分析當(dāng)代油畫中對色彩的運(yùn)用中學(xué)習(xí)與借鑒。
[Abstract]:With the continuous development of globalization, cultural exchanges have been brought about, and exchanges in the field of the arts have also increased in the course of prosperity. The global context of culture and art has also become the need for an artistic language to be understood and integrated between arts. Art, unlike culture, does not require language and writing as a bridge. It doesn't have to be translated because the language is different from country to country. It has its own uniqueness, such as music doesn't need language, and when you listen to it, you can feel the sadness and joy it expresses. When the viewer stands in front of it for aesthetic activities, the emotions it conveys can also be perceived without the need for language communication, which is the content of the picture. The role of the off-picture form and the artistic language contained in it. Color, as one of the most direct visual stimuli in artistic language, In 19th century, Gustav Klimt was the art master of the New Art Movement in Vienna, and his paintings were always full of brilliant colors. And with his painting of the only protagonist female and the theme of the picture has a hidden and complex relationship, this paper attempts to analyze and explore the use of blue and the picture of the content and form of the relationship, Through these studies, I hope to help myself to use color accurately and judge the relationship between color and emotion. The thesis is divided into six parts: the first part is the introduction, with the domestic and foreign research as the main line. The feminist system in the painting makes a rough combing, laying the groundwork for the relationship between the later text and the emotion of the picture and the female image and the theme. The second part is to introduce the development of the theme of Klimt's moral painting and the formation of the female theme. Firstly, the thesis classifies Klimt's painting works; secondly, This paper expounds the theme of moral painting and its causes, and finally makes a brief analysis of the relationship between the theme of death and love and the relationship between women in the picture. The third part takes the blue in the moral painting as the core. The article analyzes the role orientation of the female in the picture through the development process of the above part of the theme. By studying and summarizing the formal expression of blue on the screen and the color contrast relationship between blue and representative gold, this paper makes a systematic summary of the blue of the picture. The 4th, five parts are the detailed analysis of the blue and female characteristics in the picture. The first part classifies and discusses the different characteristics of blue and female on the screen. The latter part draws lessons from the traditional Chinese color and the Japanese picturesque. An Analysis of the Blue Color View of Western tradition and Development. Part 6th summarizes the main content of the importance of color in oil painting creation. Firstly, it explains the uniqueness of color as an artistic language and the importance of picture emotional transmission. In the analysis of contemporary oil painting in the use of color learning and reference.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

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本文編號：1520211