本文關(guān)鍵詞： 繪畫 寫生 現(xiàn)場(chǎng)感 對(duì)景創(chuàng)作　出處：《新疆師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：繪畫作為一門重要的藝術(shù)形式,在它一開始出現(xiàn)的時(shí)候就存在于人們的日常生活中,與我們的生活息息相關(guān),密不可分。繪畫的進(jìn)步和發(fā)展側(cè)面反映了人們以及社會(huì)生活文明的發(fā)展,也間接體現(xiàn)了人們內(nèi)心的世界和對(duì)于世界的一些看法。在當(dāng)代,繪畫已經(jīng)漸漸成為人們的精神消費(fèi)物品。隨著的繪畫作品進(jìn)入了畫廊、美術(shù)館、展覽館,各式各樣的繪畫作品影響著人們的視角,這些不同樣式繪畫作品的到來(lái),給繪畫主體的創(chuàng)作提出了新的問題和挑戰(zhàn)。在多媒體、各種影像圖示漸漸成為視覺主體的今天,原本相對(duì)嚴(yán)肅的藝術(shù)創(chuàng)作變得簡(jiǎn)易、快餐化。傳統(tǒng)意義上的由立意到構(gòu)思,再到寫生的創(chuàng)作也似乎漸漸被人們遺忘或冷視。筆者認(rèn)為:繪畫創(chuàng)作是一件嚴(yán)肅的事情,斷然是主客觀因素的綜合產(chǎn)物,但肯定不是隨意的主觀臆想,也不是某種小情緒的發(fā)泄。繪畫從古至今的演變,理所承當(dāng)更多的大情懷。作為傳統(tǒng)意義上的繪畫創(chuàng)作一個(gè)重要手段就是寫生。關(guān)于寫生的理論,在不同的歷史時(shí)期都有中外大師在闡述各種觀點(diǎn)和態(tài)度。寫生,在繪畫學(xué)習(xí)的過(guò)程中率先進(jìn)入學(xué)習(xí)的范圍,以至于覺得平淡無(wú)奇,只是基礎(chǔ)部分的訓(xùn)練。而對(duì)于創(chuàng)作主體來(lái)說(shuō),沒有比寫生更容易更直觀獲得一種真誠(chéng)的表達(dá)方式了,寫生也更具備繪畫的快感。而快感來(lái)自臨場(chǎng)寫生過(guò)程中綜合因素的現(xiàn)場(chǎng)感,現(xiàn)場(chǎng)感也是具有激情的,這或許也是繪畫本身存在的魅力。本文主要以寫生為途徑,通過(guò)對(duì)風(fēng)景,人物,靜物等諸多題材的寫生,提高對(duì)于造型觀念的認(rèn)識(shí),技術(shù)方法的磨煉。通過(guò)寫生過(guò)程中體會(huì)在綜合因素下對(duì)于觀看方式和表現(xiàn)方式的恰當(dāng)理解,從對(duì)景寫生延伸到對(duì)景創(chuàng)作,進(jìn)而以對(duì)景創(chuàng)作為主要手段,對(duì)寫生與創(chuàng)作、從寫生到創(chuàng)作及創(chuàng)作本身的做一個(gè)大概的梳理。寫生作業(yè)在最終完成的面貌上,能夠在面對(duì)自然物象寫生的同時(shí),力求完成對(duì)景創(chuàng)作的要求,體現(xiàn)出作業(yè)的繪畫性。在以后的學(xué)習(xí)生活中能都正確看待在堅(jiān)持寫生的同時(shí)所帶來(lái)的對(duì)于繪畫和生活方面的積極態(tài)度。
[Abstract]:As an important art form, painting exists in people's daily life at the beginning of its appearance and is closely related to our life. The progress and development of painting reflect the development of people and the civilization of social life, and indirectly reflect people's inner world and some views of the world. Painting has gradually become a consumption of people's minds. As paintings enter galleries, galleries, galleries, galleries, and all kinds of paintings, they affect the perspective of people, and the arrival of these paintings of different styles. This has posed new problems and challenges to the creation of painting subjects. Today, when multimedia, various images and diagrams have gradually become visual subjects, the original relatively serious artistic creation has become simple and fast food. In the traditional sense, it has changed from conception to conception. The author thinks that painting is a serious matter, a combination of subjective and objective factors, but certainly not arbitrary subjective imagination. Nor is it an outlet of some small emotion. The evolution of painting from ancient to present, the reason should bear more big feelings. As an important means of painting creation in the traditional sense, it is sketching. The theory of sketching, In different historical periods, there are Chinese and foreign masters who have expounded various viewpoints and attitudes. Sketching is the first to enter the scope of study in the process of learning painting, so that it is so dull that it is only a basic part of the training. But for the creative subject, There is no way to get a sincere expression more easily and intuitively than sketching. Sketching also has the pleasure of painting. The pleasure comes from the scene feeling of the comprehensive factors in the process of scene painting, and the scene feeling is also passionate. This may also be the charm of painting itself. This paper mainly takes sketching as a way to improve the understanding of the concept of modeling through the sketching of scenery, characters, still life and many other subjects. Through the experience of the appropriate understanding of the viewing mode and the way of expression in the process of sketching, from the sketch of the opposite scene to the creation of the opposite scene, and then taking the creation of the opposite scene as the main means, to the sketch and creation, From sketch to creation and creation itself to do a general combing. In the face of the final completion of the sketch work, in the face of the painting of natural objects at the same time, strive to complete the requirements for landscape creation, It reflects the painting of homework. In the future, we can all correctly look at the positive attitude towards painting and life brought by sticking to sketches at the same time.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J204

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