本文關(guān)鍵詞： 文化轉(zhuǎn)化 藝術(shù)本質(zhì) 傳統(tǒng)文化資源 青年畫家 民間技藝 中國美術(shù) 布面油畫 吉祥蒙古 中央美術(shù)學(xué)院 中國大眾 　出處：《美術(shù)》2017年01期 　論文類型：期刊論文

【摘要】：正轉(zhuǎn)化與重構(gòu)藝術(shù)由人創(chuàng)造,恰恰是人在民族文化的土壤中植入了"時(shí)代性"、"地域性"及"民族性"印記。作為近幾年頗有影響力的青年畫家,學(xué)峰以自身對(duì)文化的認(rèn)知,對(duì)藝術(shù)本質(zhì)的感悟,體現(xiàn)了對(duì)于傳統(tǒng)文化轉(zhuǎn)化與重構(gòu)的自覺。他的作品凸顯了以傳統(tǒng)文化為表征尋求精神凝聚的可能。讀學(xué)峰近作,發(fā)現(xiàn)他的作品總體上已
[Abstract]:The art of positive transformation and reconstruction is created by human beings, and it is precisely because people have planted "epochal", "regional" and "national" imprints in the soil of national culture. As young painters with considerable influence in recent years, Xuefeng learned from his own knowledge of culture. The understanding of the essence of art reflects the consciousness of the transformation and reconstruction of the traditional culture. His works highlight the possibility of seeking spiritual cohesion with the traditional culture as the representation.
【作者單位】： 浙江傳媒學(xué)院;
【分類號(hào)】：J205
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本文編號(hào)：1499279