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民國海派普通畫家的自我身份認(rèn)同——以洪庶安為例

發(fā)布時間:2018-02-09 17:06

  本文關(guān)鍵詞: 海派 普通畫家 洪庶安 出處:《美術(shù)》2017年03期  論文類型:期刊論文


【摘要】:在海派畫家群體中,普通畫家與著名畫家的生存狀態(tài)大相徑庭,他們?yōu)榱藢崿F(xiàn)社會身份的認(rèn)同,必須經(jīng)常性地參與公共事務(wù)。本文以洪庶安為例,揭示海派普通畫家通過參加各種性質(zhì)的展覽會,參與各種藝術(shù)社團(tuán)活動等,獲得身份認(rèn)同,并通過書畫賑災(zāi)等慈善行為盡畫家的社會責(zé)任。普通畫家的這些行為,既是他們自我身份認(rèn)同的途徑,也是民國時期海派藝術(shù)繁榮景象的重要組成部分。
[Abstract]:In the group of Shanghai painters, the living conditions of ordinary painters and famous painters are quite different. In order to realize their social identity, they must participate in public affairs regularly. It is revealed that ordinary painters of the Shanghai School acquire identity by participating in exhibitions of various kinds, participating in various artistic community activities, and performing the artist's social responsibility through charitable acts such as calligraphy and painting for disaster relief. These acts of ordinary painters, It is not only the way of their self-identity, but also an important part of the prosperity of the art of Shanghai school in the period of Republic of China.
【作者單位】: 江西師范大學(xué)美術(shù)學(xué)院;
【分類號】:J203
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本文編號:1498429

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