色彩與城市的對話—門系列創(chuàng)作
發(fā)布時間:2018-02-09 14:41
本文關(guān)鍵詞: 都市文化 主觀色彩 高純度 色彩構(gòu)成 出處:《上海師范大學》2017年碩士論文 論文類型:學位論文
【摘要】:本次的創(chuàng)作主題以表現(xiàn)上海的都市之美為主,借此感受別具一格的人文氣息。選擇了富有都市氣息的“門”作為創(chuàng)作題材。既希望展示上海的文化底蘊和城市風貌,也希望展示這座城市的藝術(shù)與生活相互交織融合時所蘊藏的人文情懷。本次繪畫創(chuàng)作強調(diào)了畫面的形式感和繪畫感,突破了原有的單一的作畫方式,畫面由色彩、點、線、面、物質(zhì)、動態(tài)、空間等多種要素構(gòu)成。多次運用對比手法,主要從以下方面形成對比,門的外觀設計和室內(nèi)設計相互對比,使門的單純與室內(nèi)的復雜形成反差;室內(nèi)的溫馨和室外的都市氣息形成對比,意在強調(diào)人與都市的和諧共處。畫作在內(nèi)容上選擇了具象的題材,在形式上,用具象的寫實色彩表現(xiàn)畫面,不完全依靠肉眼的觀察,更多依靠內(nèi)心的主觀感受,擺脫了傳統(tǒng)繪畫對現(xiàn)實物體的色彩表現(xiàn)方法。在色彩上,意在追求色彩的原始狀態(tài),故而在探索創(chuàng)作的同時,以高純度色彩作為我繪畫的一大要素。通過高純度與構(gòu)成,形式與空間的相互配合,利用厚重的塊面肌理,構(gòu)成現(xiàn)有的形式,使畫面更有張力。色彩為人類的生活營造基本的環(huán)境空間,空間在色彩藝術(shù)渲染中成為主導因素,如何讓內(nèi)外空間相互交融,達到有機統(tǒng)一,由實向虛,由人為向自然,使畫面達到理想狀態(tài)。本文將從色彩構(gòu)成、形塊構(gòu)成、都市文化等方面入手,探討新的油畫形式,形成新認知和突破。
[Abstract]:The main theme of this creation is to express the beauty of Shanghai's city, and thus to feel the unique humanistic atmosphere. We have chosen the "door", which is rich in urban atmosphere, as the subject matter of creation. We hope to show the cultural background and urban landscape of Shanghai. I also hope to show the humanistic feelings contained in the interweaving of art and life in this city. This painting creation emphasizes the sense of form and the sense of painting of the picture, and breaks through the original single way of painting. The picture is made up of colors, dots, lines, and surfaces. Material, dynamic, space and other elements of the composition. Many times the use of contrast techniques, mainly from the following aspects of contrast, door exterior design and interior design contrast each other, so that the door of the simple and complex interior form a contrast; The contrast between indoor warmth and outdoor urban atmosphere is intended to emphasize the harmonious coexistence between people and the city. The paintings have chosen the subject matter of concrete in content. In form, the realistic color of concrete is not entirely dependent on the naked eye's observation. More rely on the subjective feelings of the heart, get rid of the traditional painting on the real object color expression method. In color, the purpose is to pursue the original state of color, therefore, while exploring the creation at the same time, I use high purity color as a major element of my painting. Through the combination of high purity and composition, form and space, the use of thick block surface texture, constitute the existing form, Color creates a basic environmental space for human life, and space becomes the dominant factor in the color art rendering. How to make the internal and external space intermingle with each other to achieve organic unity, from reality to virtual, from man to nature, This paper will discuss the new oil painting form and form a new cognition and breakthrough from the aspects of color composition, shape block formation, urban culture and so on.
【學位授予單位】:上海師范大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J213
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相關(guān)期刊論文 前3條
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