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試論工筆人物畫線描的藝術(shù)魅力

發(fā)布時(shí)間:2018-02-09 13:57

  本文關(guān)鍵詞: 線描 符號(hào) 情感 造型 出處:《中央民族大學(xué)》2013年碩士論文 論文類型:學(xué)位論文


【摘要】:線作為工筆畫的組成部分,有其自身的審美規(guī)律,它如同音樂一樣,一直被人們研究和創(chuàng)新著,當(dāng)代畫家不僅取法于中國古代線描,還吸收和歸納西方畫家對線的運(yùn)用,所以不斷產(chǎn)生豐富多樣的工筆畫線描技法,經(jīng)過歷代畫家的探索、完善、傳承發(fā)展,把線描藝術(shù)發(fā)揮到了極致,出神入化,輝煌燦爛,是中國畫藝術(shù)的瑰寶。唐代是中國繪畫走向成熟的時(shí)期,尤其是人物畫獲得了重大的發(fā)展。繼承傳統(tǒng)又有進(jìn)一步成就的畫家首先是閻立本,再到后來的吳道子、張萱、周f 等人,前人流傳下來的藝術(shù)作品如同一幅幅生動(dòng)的紀(jì)錄片,獨(dú)具特色,他們?yōu)槔L畫藝術(shù)不斷向前發(fā)展做出探索和貢獻(xiàn),成為后人學(xué)習(xí)的優(yōu)秀傳統(tǒng)。線是一種符號(hào),它之所以能為一種主題而被加以研究,是由于它簡潔而富有情感,能夠深刻地貼近人們的心靈狀態(tài),運(yùn)用線條來描繪客觀事物的形質(zhì)和生命,是一種情與理的交融提升。線描的藝術(shù)魅力不單單只是描摹,更重要的是結(jié)合筆法進(jìn)行概括和提煉,融入自身對客觀事物的獨(dú)特情感來表達(dá)并加以創(chuàng)新的過程。線是造型的基礎(chǔ),是工筆畫的靈魂,沿著唐代繪畫歷史的發(fā)展來學(xué)習(xí)和鉆研線描,體悟分析古人的線描藝術(shù)作品,根據(jù)線描的審美規(guī)律來創(chuàng)作,考慮用線的風(fēng)格問題,從而啟發(fā)我們繼續(xù)探索研究和創(chuàng)新,使工筆人物畫線描的藝術(shù)手法更加豐富不斷地發(fā)展。
[Abstract]:As an integral part of fine brushwork painting, line has its own aesthetic law. Like music, it has been studied and innovated all the time. Contemporary painters not only learn from ancient Chinese line drawing, but also absorb and sum up the use of line by western painters. Therefore, continuous production of a variety of fine brushwork line drawing techniques, through the exploration, improvement, inheritance and development of the painters of the past dynasties, the art of line drawing has been brought into play to the extreme, enchanted, brilliant, Tang Dynasty is the mature period of Chinese painting, especially the figure painting has achieved great development. The painter who inherits the tradition and has further achievements is Yan Liben first, and then Wu Dao-zi, Zhang Xuan. Zhou f and others, the works of art handed down by the forefathers are like vivid documentaries with unique characteristics. They have made explorations and contributions to the continuous development of the art of painting and become an excellent tradition for future generations to learn. Line is a symbol. It can be studied for a subject because it is simple and emotional, can be deeply close to people's state of mind, and uses lines to describe the shape and life of objective things. The artistic charm of line drawing is not only to describe, but more importantly to generalize and refine with the method of writing. Line is the foundation of modeling and the soul of fine brushwork. Along with the development of painting history of Tang Dynasty, we can learn and study line drawing, understand and analyze the ancient art works of line drawing. According to the aesthetic law of line drawing to create, consider the style of using line, thus enlighten us to continue to explore research and innovation, so that the fine brushwork line drawing art more rich and continuous development.
【學(xué)位授予單位】:中央民族大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J212

【共引文獻(xiàn)】

相關(guān)期刊論文 前3條

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2 李碧紅;劉嬌;;“線”在繪畫中的應(yīng)用[J];藝術(shù)教育;2011年01期

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相關(guān)碩士學(xué)位論文 前3條

1 李沙沙;論中國工筆花鳥畫中線條的運(yùn)用[D];浙江理工大學(xué);2010年

2 席智慧;從日本動(dòng)漫在國內(nèi)的風(fēng)行看中國連環(huán)畫的衰落[D];昆明理工大學(xué);2011年

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