發(fā)布時(shí)間：2018-01-21 00:28

  本文關(guān)鍵詞： 似與不似之間 黃賓虹先生 論畫 版畫藝術(shù) 木刻版畫 力者 為高 重大歷史題材 廣東美術(shù)館 美術(shù)創(chuàng)作 　出處：《美術(shù)》2017年02期 　論文類型：期刊論文

【摘要】：正初學(xué)繪畫時(shí),常常因?yàn)椴荒馨褜?duì)象畫像而苦惱,等到苦練了若干年后,能夠駕輕就熟地畫像一景一物時(shí),才知道如實(shí)地再現(xiàn)自然已不算稀奇,因?yàn)槔L畫不是以逼真為高妙;且有了相機(jī)的借助,具有這種酷似地描摹對(duì)象的能力者也大有人在。如若能做到"似與不似之間",才是藝術(shù)的真正境界也。一時(shí)間,難以理解何為"似與不似"?"似"乃像,"不似"則不像,而二者之間又是一種什么樣的狀態(tài)呢?從附中算起,學(xué)畫已有50余年,回眸走過的路,漸漸地對(duì)這一境界有所體悟。黃賓虹先生說:"古人論畫,常有無法中有
[Abstract]:At the beginning of painting, often because of the object portrait and distress, until after some years of hard practice, can be familiar with the portrait of a scene, only to know that the truthful reproduction of nature is no longer unusual. Because painting is not to be realistic for good; And with the help of the camera, there are many people with the ability to describe objects in a very similar way. If you can achieve "likeness and non-likeness", it is the true realm of art. For a while. It is difficult to understand what "likeness" is. "like" is like, "not like" is not like, and between the two is a kind of what kind of state? From the secondary school attached to the calculation, painting has been more than 50 years, looking back on the road, gradually to this state of understanding. Mr. Huang Binhong said: "the ancients on painting, often can not have."
【作者單位】： 中國(guó)美術(shù)學(xué)院;
【分類號(hào)】：J217
【正文快照】： 初學(xué)繪畫時(shí),常常因?yàn)椴荒馨褜?duì)象畫像而苦惱,等到苦練了本科階段都在做“似”的功夫一基本的造型能力、基本的專業(yè)若干年后,能夠駕輕就熟地畫像一景一物時(shí),才知道如實(shí)地再現(xiàn)基礎(chǔ)能力I'丨然l不x5稀奇,因?yàn)槔L畫不是以逼真為高妙;_ii·Q囇巨鴉慕，

本文編號(hào)：1449893