淺談風(fēng)景油畫中的表現(xiàn)主義手法
發(fā)布時(shí)間:2018-01-20 23:12
本文關(guān)鍵詞: 自我表現(xiàn) 主觀感情 自我感受 構(gòu)圖 色彩 出處:《遼寧師范大學(xué)》2013年碩士論文 論文類型:學(xué)位論文
【摘要】:表現(xiàn)主義,是指藝術(shù)中強(qiáng)調(diào)表現(xiàn)藝術(shù)家的主觀感情和自我感受,認(rèn)為主觀是唯一真實(shí),否定現(xiàn)實(shí)世界的客觀性,反對(duì)藝術(shù)的目的性,它是20世紀(jì)初期繪畫領(lǐng)域中特別流行于北歐諸國(guó)的藝術(shù)潮流,是社會(huì)文化危機(jī)和精神混亂的反映,在社會(huì)動(dòng)蕩的時(shí)代表現(xiàn)尤為突出和強(qiáng)烈。在北歐各國(guó)的傳統(tǒng)藝術(shù)中早就存在著表現(xiàn)主義的因素:在早期日耳曼人的蠻族藝術(shù)、中世紀(jì)的哥特藝術(shù)、文藝復(fù)興中的鮑茨、勃魯蓋爾等畫家的作品中都可以看到的藝術(shù)效果,這些都表露出強(qiáng)烈的表現(xiàn)主義傾向。19世紀(jì)末,出現(xiàn)了象征主義的影響和現(xiàn)代風(fēng)格混在一起的第一個(gè)表現(xiàn)主義運(yùn)動(dòng),先驅(qū)代表畫家是荷蘭人凡·高、法國(guó)人勞特累克、奧地利人克里姆特、瑞士人霍德勒和挪威人蒙克。20世紀(jì)表現(xiàn)主義的主要基地是德國(guó),這決定于德國(guó)的社會(huì)現(xiàn)實(shí),同時(shí)受到尼采的主觀唯心主義哲學(xué)、弗洛伊德的精神分析學(xué)說和斯泰納的神秘主義的影響。 這幅作品主要表現(xiàn)大連開發(fā)區(qū)10年前的模樣,碧綠的淺灘、蔚藍(lán)的大海、人們開心的在海邊農(nóng)作,讓我回想起無數(shù)快樂的童年時(shí)光,雖然隨著時(shí)代的發(fā)展,我的故鄉(xiāng)已經(jīng)變得越來越城市化,但是它唯美的畫面永遠(yuǎn)都刻在我的腦海中,揮之不去。作品主要圍繞過去打漁用的漁船來展開,用表現(xiàn)主義手法將我對(duì)自己故鄉(xiāng)的感受都融合在畫面之中。在構(gòu)圖方面突出主題,重點(diǎn)刻畫畫面前方的兩條船舶,使主次分明;還注意畫面的平衡性,不能一頭重一頭輕、一邊大一邊小、邊多一邊少,要給欣賞者一種視覺平衡、舒暢的感覺;還注意畫面的穩(wěn)定性,畫面中分為三部分,由淺灘、大海與城市背景組成,淺灘與大海的銜接由幾個(gè)零零星星的人物點(diǎn)綴,不會(huì)給人楞的感覺,并且遠(yuǎn)處的城市背景給人以無限延伸的感受。色彩方面不僅僅是再現(xiàn)客觀的色彩,而是把自己主觀的創(chuàng)作想象表現(xiàn)其中,將色彩用獨(dú)特的感受和藝術(shù)創(chuàng)作,將自我感情表達(dá)出來;色彩構(gòu)成的張力和色塊組合與對(duì)比形成的色彩韻律感、節(jié)奏感,都對(duì)作品意境的表現(xiàn)和內(nèi)在感情的傳達(dá)起著舉足輕重的作用。
[Abstract]:Expressionism is to emphasize the subjective feelings and self-feelings of the artists in art, to think that the subjective is the only reality, to deny the objectivity of the real world, and to oppose the purpose of art. In the beginning of 20th century, it was a popular art trend in the field of painting in Northern Europe. It was a reflection of social and cultural crisis and spiritual confusion. In the times of social unrest, the performance is particularly prominent and strong. In the Nordic countries of the traditional art there has been an expressionist factor: in the early German barbarian art, the Gothic art of the Middle Ages. The artistic effects which can be seen in the works of the painters, such as Boots and Brugail in the Renaissance, all show a strong expressionist tendency towards the end of the 19th century. The first expressionist movement in which the influence of symbolism mingled with the modern style was pioneered by the Dutch van Gogh the Frenchman Lautrak and the Austrian Klimt. The main base of the expressionism of the Swiss Hodler and the Norwegian Monk in the 20th century is Germany, which is determined by the social reality of Germany and the subjective idealism of Nietzsche. The influence of Freud's psychoanalysis and Steiner's mysticism. This work mainly shows the appearance of Dalian Development Zone 10 years ago, green shoals, blue sea, people happily farming in the seaside, let me recall countless happy childhood, although with the development of the times. My hometown has become more and more urbanized, but its beautiful picture will always be engraved in my mind, lingering. Works mainly around the fishing boats used in the past to carry out. I use expressionism to my own hometown feelings in the picture. In the composition of prominent theme, focus on the picture in front of the two ships, so that the main and secondary clear; Also pay attention to the balance of the picture, can not be a heavy head light, one side of the big side small, side more and less, to give the viewer a visual balance, comfortable feeling; Also pay attention to the stability of the screen, the screen is divided into three parts, consisting of the shoal, the sea and the city background, the shoal and the sea by a few scattered characters dotted, do not give people the feeling of corrugation. And the distant background of the city gives people an infinite extension of the feeling. Color is not only to reproduce the objective color, but their own subjective creative imagination performance, color with unique feelings and artistic creation. Express your feelings; The tension of color composition and the sense of color rhythm and rhythm formed by the combination and contrast of color blocks play an important role in the expression of artistic conception and the transmission of inner feelings.
【學(xué)位授予單位】:遼寧師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 邢建昌;20世紀(jì)中國(guó)美學(xué)的現(xiàn)代發(fā)展[J];文藝?yán)碚撗芯?2001年01期
,本文編號(hào):1449715
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/1449715.html