本文關(guān)鍵詞： 現(xiàn)代漆畫藝術(shù) 綜合材料 創(chuàng)新 融合　出處：《山西大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：在現(xiàn)當代藝術(shù)的發(fā)展中,藝術(shù)觀念與經(jīng)濟社會的發(fā)展程度是彼此促進的,打破了以前許多的審美習(xí)慣,現(xiàn)代藝術(shù)展現(xiàn)出他更加自由、更加廣闊的一面。藝術(shù)家從各個方面對綜合材料進行探索和運用,在藝術(shù)作品中不斷地提高綜合材料的地位,綜合材料的創(chuàng)造性運用很大程度上發(fā)展了藝術(shù)作品的表現(xiàn)力、想象力和感染力。它首先從審美習(xí)慣上改變了我們以往傳統(tǒng)的思維模式,隨后又猛烈地沖擊著我們固有的藝術(shù)觀念。作為一種古老而傳統(tǒng)的藝術(shù),中國漆藝以它數(shù)千年的輝煌成為關(guān)注的焦點,而作為一個年輕畫種的現(xiàn)代漆畫,它與傳統(tǒng)漆藝在其材料和技法、表現(xiàn)形式上都有一定的相似,但是同時也有著根本性的區(qū)別。在漆畫創(chuàng)作中綜合材料的運用,既是作為一種媒介承載著藝術(shù)家的創(chuàng)作構(gòu)思,又能將其作為材料的獨特魅力有效的轉(zhuǎn)變?yōu)樗囆g(shù)表現(xiàn)的主體�，F(xiàn)代漆畫在傳承傳統(tǒng)漆工藝精華的同時,一定要遵循繪畫的藝術(shù)規(guī)律,多方面的探求漆材料自然的融合,藝術(shù)家應(yīng)從創(chuàng)作的主觀需要出發(fā),對傳統(tǒng)漆藝有所繼承有所摒棄,對各種各樣的新材料進行大量的嘗試,并賦予其精神內(nèi)涵和藝術(shù)理念,才能創(chuàng)作出有新意、有深意的好的漆畫作品。
[Abstract]:In the development of modern and contemporary art, the concept of art and the degree of economic and social development promote each other, breaking many of the previous aesthetic habits, modern art shows that he is more free. The artist explores and applies the comprehensive materials from various aspects, and constantly improves the position of the comprehensive materials in the works of art. The creative use of synthetic materials has greatly developed the expressiveness, imagination and appeal of the works of art. Firstly, it has changed our traditional mode of thinking from the aesthetic habit. As an ancient and traditional art, Chinese lacquer art has become the focus of attention for thousands of years of brilliance, and as a young kind of modern lacquer painting. It is similar to the traditional lacquer art in its materials and techniques, but also has a fundamental difference in the use of comprehensive materials in the creation of lacquer painting. Both as a medium carrying the artist's creative ideas, but also as the material of the unique charm of the effective transformation of art performance. Modern lacquer painting while inheriting the essence of traditional lacquer technology. Must follow the art law of painting, many aspects of natural integration of lacquer materials, artists should be from the subjective needs of creation, some inheritance to the traditional lacquer art abandoned. Only by trying a lot of new materials and endowing them with spiritual connotation and artistic idea can we create new and profound good lacquer painting works.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213.9

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本文編號：1446971