本文關(guān)鍵詞： 當(dāng)代風(fēng)景油畫 觀念性油畫 觀念多元表達(dá) 觀念藝術(shù)　出處：《西安美術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：當(dāng)代風(fēng)景油畫中觀念的表達(dá)是風(fēng)景油畫創(chuàng)作中一個(gè)十分重要的命題。對(duì)當(dāng)代風(fēng)景油畫呈現(xiàn)觀念多元表達(dá)的分析,本文從觀念藝術(shù)的概念入手,縱觀西方觀念藝術(shù)的形成與發(fā)展,表明觀念性已深刻影響到油畫藝術(shù)的創(chuàng)作。隨著藝術(shù)家們對(duì)社會(huì)與人類自身認(rèn)知的不斷加深,油畫藝術(shù)呈現(xiàn)思想觀念多元表達(dá)的趨勢(shì)愈加鮮明。思想觀念的多元表達(dá)需要一定的載體,相應(yīng)的形式與技巧是風(fēng)景油畫作品中不可或缺的要素,藝術(shù)家正是通過(guò)對(duì)各自所具有的獨(dú)特表現(xiàn)形式和技巧方法的運(yùn)用,對(duì)個(gè)人思想觀念做出了更好的詮釋。對(duì)當(dāng)代風(fēng)景油畫呈現(xiàn)觀念多元表達(dá)進(jìn)一步分析會(huì)發(fā)現(xiàn),這一油畫藝術(shù)發(fā)展的必然,是源于當(dāng)代風(fēng)景油畫創(chuàng)作的現(xiàn)實(shí)需要,觀念的多元表達(dá)與當(dāng)代風(fēng)景油畫的拓展是伴生共存的,它還受到藝術(shù)家個(gè)體生命體驗(yàn)的影響,無(wú)論中國(guó)還是西方油畫藝術(shù),追根溯源莫過(guò)于此。中國(guó)和國(guó)外當(dāng)代風(fēng)景油畫中觀念的表達(dá)既有相同之處,也有不同之處,這主要取決于藝術(shù)家所處的歷史背景和特定的社會(huì)環(huán)境,但無(wú)論作品的主題構(gòu)思及表現(xiàn)形式與技法怎樣不同,在風(fēng)景油畫創(chuàng)作中更多的呈現(xiàn)出觀念多元表達(dá)的總體趨勢(shì),賦予觀念性風(fēng)景油畫強(qiáng)大的活性與創(chuàng)造性,卻是中外藝術(shù)家所共有的。隨著觀念性油畫在中國(guó)油畫藝術(shù)創(chuàng)作中的影響逐步加深,把源自西方的觀念性油畫與中國(guó)自身實(shí)際結(jié)合起來(lái),中國(guó)當(dāng)代風(fēng)景油畫將有一個(gè)廣闊的發(fā)展空間。
[Abstract]:The expression of concept in contemporary landscape oil painting is a very important proposition in the creation of landscape oil painting. Throughout the formation and development of Western concept art, it shows that the concept of oil painting art has a profound impact on the creation, along with the artists of the society and human own understanding of the deepening. Oil painting art presents a trend of multi-expression of ideas and ideas. The multi-expression of ideas needs a certain carrier, the corresponding forms and skills are indispensable elements in landscape oil paintings. It is through the use of their own unique forms of expression and techniques that the artists have made a better interpretation of personal ideas and concepts. The contemporary landscape oil painting presents the concept of multiple expression will find further analysis. The necessity of the development of this oil painting art originates from the realistic need of contemporary landscape oil painting creation. The pluralistic expression of concept and the development of contemporary landscape oil painting coexist with each other, and it is also influenced by the individual life experience of the artist. No matter Chinese or Western oil painting art, there is no way to trace back to this. Chinese and foreign contemporary landscape oil painting in the expression of ideas have similarities, but also have differences. This mainly depends on the historical background of the artist and the specific social environment, but regardless of the theme of the work and the form of expression and techniques are different. In the creation of landscape oil painting, more show the overall trend of multi-expression of ideas, giving a strong vitality and creativity of conceptual landscape oil painting. But it is common to Chinese and foreign artists. With the gradual deepening of the influence of idealistic oil painting in Chinese oil painting creation, the conceptual oil painting from the West is combined with the reality of China itself. Chinese contemporary landscape oil painting will have a broad development space.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 解玉斌;;觀念藝術(shù)概念的厘定與闡釋[J];云南藝術(shù)學(xué)院學(xué)報(bào);2011年03期

，

本文編號(hào)：1446938