“詩(shī)中有畫”新解——論唐仕女畫與唐詩(shī)的互動(dòng)及意義
發(fā)布時(shí)間:2018-01-19 20:17
本文關(guān)鍵詞: 唐仕女畫 唐詩(shī) 互動(dòng) 意義 出處:《四川戲劇》2017年09期 論文類型:期刊論文
【摘要】:唐代詩(shī)、畫并興,基于互通的藝術(shù)特征和創(chuàng)作經(jīng)驗(yàn),二者走上了互動(dòng)、共構(gòu)的發(fā)展道路。唐仕女畫"應(yīng)物象形""骨法用筆""隨類賦彩""經(jīng)營(yíng)位置""傳移模寫"的造型技巧,以及"氣韻生動(dòng)"的藝術(shù)效果,均對(duì)唐詩(shī)女性形象描寫有重要的影響。唐詩(shī)女性形象描寫的意境、風(fēng)格也影響了仕女畫的創(chuàng)作。初盛唐仕女畫的"高貴典雅"和中晚唐仕女畫的"憂郁閑逸"的美學(xué)基調(diào)與唐詩(shī)女性形象的共構(gòu),奠定了具有華夏美學(xué)特征的"仕女"形象的形成,進(jìn)而影響了后世古典文學(xué)女性形象的描寫。
[Abstract]:Tang Dynasty poetry, painting and prosperity, based on the mutual artistic characteristics and creative experience, the two on the interaction. The art effect of "vivid charm" and "vivid rhyme" in Tang Shi Nu's painting "pictograph of object", "brush with bone method", "color with color", "position of management", "transmission and shifting mold writing", as well as artistic effect of "vivid charm". Tang poetry female image description has an important impact. Tang poetry female image description of artistic conception. Style also affected the creation of female paintings. The "noble and elegant" painting of the early prosperous Tang Dynasty and the aesthetic tone of "melancholy and leisure" of the female paintings in the middle and late Tang Dynasty and the female image of Tang poetry were co-constructed. It establishes the formation of the image of "lady" with the characteristics of Chinese aesthetics, and then influences the description of female image in later classical literature.
【作者單位】: 江蘇第二師范學(xué)院教育科學(xué)學(xué)院;
【基金】:江蘇第二師范學(xué)院博士專項(xiàng)科研啟動(dòng)基金項(xiàng)目(項(xiàng)目編號(hào):JSNU2015BZ13)階段性研究成果
【分類號(hào)】:I207.22;J212
【正文快照】: 唐詩(shī)、畫并興,基于互通的藝術(shù)特征和創(chuàng)作經(jīng)驗(yàn),二者走上了互通、共構(gòu)的發(fā)展道路。受蘇軾“詩(shī)中有畫”“畫中有詩(shī)”的影響,歷來學(xué)界研究詩(shī)歌與繪畫關(guān)系時(shí),多論及唐山水詩(shī)對(duì)繪畫藝術(shù)的借鑒,忽略了占據(jù)畫壇重要地位的仕女畫與唐詩(shī)女性形象描寫的互動(dòng)及意義。陶文鵬先生最早注意到
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