本文關(guān)鍵詞：探析八大山人花鳥畫風(fēng)格的象征性　出處：《湖北美術(shù)學(xué)院》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 八大山人 花鳥畫 象征性

【摘要】：八大山人是清初遺民畫家,因此,藝術(shù)較之常人帶有更強(qiáng)烈的感情色彩和復(fù)雜的精神內(nèi)涵,一生中作品豐富多樣,而最有突出成就的當(dāng)屬其大寫意花鳥畫,他筆下的花鳥畫以簡約空靈的抽象形式,以孤冷、寂靜的圖式強(qiáng)調(diào)人和自然的親和、協(xié)調(diào),表達(dá)對人生的感悟和體會。八大山人常以荷花、靈芝、海棠、竹、魚、孔雀、鵪鶉、鷹等作為繪畫題材,賦予它們以傳統(tǒng)意義之外的象征性。本文用八大山人的具體花鳥畫作品,從他所處的社會背景和家庭背景入手,從其題跋、詩、歷史典故、儒道釋思想、神話故事、文學(xué)性等角度來挖掘花鳥畫作品背后的象征意義,并分析其象征性對于后代文人畫的影響,具有綜合性和可行性。本文從八大山人的生活背景和人生際遇入手,從文人畫、中國傳統(tǒng)哲學(xué)思想等對其花鳥畫象征性風(fēng)格的影響來分析作品的象征性,文章分三個大的部分來具體闡述。第一部分從象征的含義和作用入手,分別從八大山人花鳥畫作品的形狀性分析,然后挖掘其出現(xiàn)象征性的原因,進(jìn)而從其生活背景和人生際遇對其繪畫作品象征性的影響的探析。第二部分從整體來把握八大山人花鳥畫形象的夸張、變形,花鳥畫筆墨的象征隱喻性以及對自我感情的表達(dá)來挖掘其形象背后的象征性。第三部分從八大山人經(jīng)典的、有代表性的花鳥畫作品入手,從歷史典故、社會背景、名俗學(xué)、神話學(xué)、詩、題跋等角度來綜合分析其典型花鳥形象的象征性。
[Abstract]:Badashanren is the Qing Dynasty painter, therefore, is the art of ordinary people with more emotional and complex spiritual connotation, life works rich and diverse, and the most outstanding achievement is its large freehandbird, under his pen painting in an abstract form of simple ethereal, with a solitary cold, silent schema that man and nature affinity, coordination, expression and experience of life. Badashanren often in lotus, Ganoderma lucidum, Begonia, bamboo, fish, peacock, quail, eagle as painting, giving them to the traditional symbolic meaning outside. This paper used the specific Badashanren flower and bird painting, starting from his social and family background, from the inscriptions, poetry, history, Buddhism, fairy tales, such as angle of literary symbolism behind mining paintings, and analyzes its influence on the symbol in future generations of literati painting, has Comprehensive and feasible. This article from the Badashanren's life background and life experience of the literati painting, symbolic effect Chinese philosophy of traditional style of the flower portrait sign to analyze works, this article is divided into three parts to elaborate. The first part starts from the meaning and function of symbol. From the shape of Badashanren flower and bird painting analysis and mining the reason for the symbolic, on and from his life background and life experience of the painting works of symbolic effect. The second part from the whole to grasp the image of Badashan people painting exaggeration, deformation, symbolic symbols and metaphors of flower and bird painting ink the expression of self and feelings to tap the image behind. In the third part, from the Badashanren classic, of representative paintings, from the social background, history, folklore, mythology Learn poems, preface and postscript in terms of general symbolic analysis of the typical image of the bird.

【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 鄭藝玲;“比興”手法在中國花鳥畫中的運(yùn)用[D];廈門大學(xué);2009年

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本文編號：1417456