【摘要】：“現(xiàn)掛”是相聲表演術語，指相聲演員在表演時見景生情，臨時抓哏取笑而組織的即興語言，恰當的“現(xiàn)掛”語言常常兼具針對性、精巧性、趣味性，具有有意想不到的效果�！艾F(xiàn)掛”在相聲表演中也就是演員根據演出的實際情況，在適宜的情境里，聯(lián)系當時當地發(fā)生的事件，現(xiàn)場進行的即興發(fā)揮。傳統(tǒng)相聲表演中，“現(xiàn)掛”往往是取得現(xiàn)場演出成功的重要一環(huán)，憑借演員的聰明才智，往往收到意想不到的藝術效果。近些年，“草根演員”郭德綱及其相聲逐漸走進人們視野，受到許多人的歡迎，隨之也引起了許多學者的廣泛關注，并對其相聲從各方面進行了一系列的研究。而郭德綱相聲表演過程中經常運用的精彩“現(xiàn)掛”，體現(xiàn)了郭德綱的語言駕馭能力。幽默靈活的“現(xiàn)掛”語言已成為郭德綱相聲的一大特色，可以說正是因為有了一段段精彩的“現(xiàn)掛”，才成就了今天家喻戶曉的郭德綱相聲。本文以郭德綱相聲的“現(xiàn)掛”語言為研究對象，采用語料分析的方法，主要從修辭學和語用學的角度，對通過網絡視頻摘錄整理的110余段一萬五千余字“現(xiàn)掛”語言材料進行歸類，并從應用語言學角度作細致的分析研究，總結出郭德綱“現(xiàn)掛”語言的藝術特色，分析郭德綱“現(xiàn)掛”精彩的原因，和對傳統(tǒng)相聲藝術生存發(fā)展的啟示，同時提出其“現(xiàn)掛”語言對日常交際語言，播音主持語言及小品語言使用的一些借鑒。 全文共分五部分，除緒論和結語，第二到第四部分是全文的重點所在。 緒論部分簡要論述“現(xiàn)掛”的起源及選題理由、研究意義，并對相關問題的前人成果和研究現(xiàn)狀進行較為系統(tǒng)和全面的概括梳理，為文章的展開作一個鋪墊。 第一章對郭德綱的“現(xiàn)掛”語言進行分類。本章以郭德綱“現(xiàn)掛”目的為綱，主要從主題內容上，對暖場“現(xiàn)掛”，應對突發(fā)狀況“現(xiàn)掛”和諷刺調侃“現(xiàn)掛”三個類型的語料進行分析，從而形成一個對郭德綱“現(xiàn)掛”類型的整體把握。 第二章從語用學方面對語料進行分析研究。本章以語用學理論為指導，分別從合作原則和禮貌原則兩個大方面對語言材料進行分析，，并歸納出其中的語用原理。 第三章從話語承接的角度，根據具體語料分析，總結概括出郭德綱“現(xiàn)掛”最常用的話語承接手段。 第四章從語料庫的建立和語言格角度，分析郭德綱“現(xiàn)掛”能力的形成原因。 結語對本文整體結構和創(chuàng)新之處進行總結，提出文章的缺陷和不足之處，并對本課題的前景進行展望。
[Abstract]:"present" is a term for crosstalk performance, which refers to the impromptu language in which crosstalk actors see scene and make fun of each other during the performance. The appropriate "hanging" language is often targeted, ingenious and interesting, and has unexpected effects. "present" in crosstalk performance, that is, according to the actual situation of the performance, in the appropriate situation, contact the local events at that time, the scene of impromptu play. In the traditional crosstalk performance, "hang up" is often an important part of the success of the live performance, with the intelligence of the actors, often receive unexpected artistic effects. In recent years, Guo Degang, a grassroots actor, and his crosstalk have gradually entered people's horizons, which have been welcomed by many people, and have also attracted extensive attention of many scholars, and have carried out a series of studies on crosstalk from all aspects. The wonderful "present" often used in Guo Degang's crosstalk performance reflects Guo Degang's language control ability. Humorous and flexible "present" language has become a major feature of Guo Degang's crosstalk. It can be said that it is precisely because of a wonderful "hanging" that Guo Degang's crosstalk, which is well known today, has become a household name. This paper takes Guo Degang's "hanging" language as the research object, adopts the method of corpus analysis, mainly from the perspective of rhetoric and pragmatics, classifies more than 15000 words of "hanging" language materials through online video excerpts, and makes a detailed analysis and research from the point of view of applied linguistics, sums up the artistic characteristics of Guo Degang's "hanging" language, and analyzes the wonderful reasons for Guo Degang's "hanging" language. And the enlightenment to the survival and development of traditional crosstalk art, at the same time, this paper puts forward some references for the use of "present" language for daily communication language, broadcast hosting language and sketch language. The full text is divided into five parts, in addition to the introduction and conclusion, the second to fourth parts are the focus of the full text. The introduction part briefly discusses the origin and the reason of choosing the topic, the significance of the research, and makes a systematic and comprehensive summary of the previous achievements and research status of the related issues, so as to pave the way for the development of the article. The first chapter classifies Guo Degang's "present" language. This chapter takes Guo Degang's purpose of "hanging" as the outline, mainly from the theme content, to "hang up" in the warm field, to deal with the sudden situation "hanging" and satirizing "hanging" three types of corpus analysis, so as to form an overall grasp of Guo Degang's "hanging" type. The second chapter analyzes and studies the corpus from the aspect of pragmatics. Guided by pragmatic theory, this chapter analyzes language materials from two aspects: cooperative principle and politeness principle, and sums up the pragmatic principles. The third chapter summarizes Guo Degang's most commonly used means of discourse acceptance from the point of view of discourse acceptance and according to the analysis of specific corpus. The fourth chapter analyzes the reasons for the formation of Guo Degang's ability to hang up from the point of view of corpus establishment and language case. The conclusion summarizes the overall structure and innovation of this paper, puts forward the defects and shortcomings of the article, and looks forward to the prospect of this topic.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：H15

【引證文獻】

相關碩士學位論文 前1條

1 秦洛笛;天津同悅興茶社傳統(tǒng)藝術運作研究[D];天津音樂學院;2015年

本文編號：2503188