發(fā)布時(shí)間：2019-05-18 18:14

【摘要】：《說(shuō)文解字》(以下簡(jiǎn)稱《說(shuō)文》)是我國(guó)第一部收字最多、因形說(shuō)義、考求字源,具有理論體系的語(yǔ)言學(xué)著作,其中也相對(duì)集中地收集了上古時(shí)期所出現(xiàn)的顏色字。這些顏色字不僅構(gòu)成了《說(shuō)文》特有的顏色內(nèi)蘊(yùn),還集中反映了上古漢語(yǔ)的顏色信息。本文以《說(shuō)文》顏色字為研究對(duì)象,綜合運(yùn)用據(jù)形系聯(lián)、縱橫比較、點(diǎn)面結(jié)合等研究方法,進(jìn)行全面而深入的研究。全文共分五章：第一章引言主要闡述了本文的選題緣由、研究目的、方法和意義。第二章全面梳理考釋《說(shuō)文》顏色字的具體分布、分類及演變規(guī)律。首先在《說(shuō)文》沒(méi)有明確何為“顏色”,卻涌現(xiàn)大量與顏色相關(guān)字的特殊情況下,對(duì)《說(shuō)文》顏色字進(jìn)行界定,然后在此基礎(chǔ)上梳理出《說(shuō)文》顏色字,且以存在的具體方式分類,并結(jié)合相關(guān)共時(shí)資料對(duì)每一類的顏色字進(jìn)行比較研究,揭示出《說(shuō)文》顏色字在字形、字義、用字三個(gè)方面的演變情況。第三章從漢字的取象構(gòu)形方面對(duì)《說(shuō)文》顏色字的構(gòu)造進(jìn)行探討。從認(rèn)知的角度,分析《說(shuō)文》顏色字的取象方法、取象特點(diǎn)。再?gòu)膫鹘y(tǒng)的漢字的構(gòu)形角度說(shuō)明《說(shuō)文》顏色字的四種造字法,并對(duì)每一種造字法類別進(jìn)行具體分析。第四章從顏色字與顏色認(rèn)知,顏色字與社會(huì)文化之顏色崇拜,顏色字與視覺(jué)審美、思維意象三個(gè)大方面探究負(fù)載在這些顏色字形體中的中國(guó)古代的顏色文化信息。第五章從總體上歸納出《說(shuō)文》顏色字的特點(diǎn)：從顏色字自身而言,數(shù)量多,分類細(xì)致；從顏色字所承載的顏色義看,顏色義的呈現(xiàn)比附性強(qiáng),呈現(xiàn)途徑為先具體后抽象；顏色義來(lái)源途徑多樣化有字義的引申、假借；顏色義表達(dá)具有模糊性。
[Abstract]:"Shuo Wen Jie Zi" (hereinafter referred to as "Wen") is the first linguistic work with theoretical system, in which the color characters appeared in ancient times are collected relatively. These color words not only constitute the unique color connotation of Shuiwen, but also reflect the color information of ancient Chinese. In this paper, the color word "Shuo Wen" is taken as the research object, and the comprehensive and in-depth research methods such as data pattern connection, vertical and horizontal comparison, point and surface combination and so on are used to carry out a comprehensive and in-depth study. The full text is divided into five chapters: the introduction of the first chapter mainly expounds the reason, research purpose, method and significance of this paper. The second chapter comprehensively combs and explains the specific distribution, classification and evolution of the color words. First of all, in the case of "color", but a large number of color-related words emerge, the color word is defined, and then the color word is sorted out on this basis. The author classifies the color words in the concrete way and compares each kind of color words with the relevant synchronic data, and reveals the evolution of the color words in the font, the meaning and the use of the words. The third chapter discusses the construction of color characters from the aspect of image configuration of Chinese characters. From the cognitive point of view, this paper analyzes the image extraction method and image characteristics of the color word. Then, from the point of view of the configuration of traditional Chinese characters, this paper explains the four kinds of character making methods of "Shuowen" color characters, and makes a concrete analysis of each type of character making methods. The fourth chapter explores the ancient Chinese color culture information loaded on these color characters from three aspects: color word and color cognition, color word and social culture color worship, color word and visual aesthetics, and thinking image. In the fifth chapter, the characteristics of the color word are summarized as follows: from the point of view of the color word itself, the quantity is large and the classification is meticulous. From the color meaning carried by the color word, the presentation of the color meaning is stronger than that of the attachment, and the way of presentation is concrete and then abstract. The source of color meaning is extended and borrowed, and the expression of color meaning is fuzzy.
【學(xué)位授予單位】：信陽(yáng)師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：H161

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