【摘要】：正電視與戲曲的聯(lián)姻在很長一段時間以來給戲曲這一古老藝術(shù)帶來了不可替代的傳播與發(fā)展。但于此同時,大眾媒介以其綜合性、娛樂性的特質(zhì)也在不斷分散和瓦解著戲曲這種傳統(tǒng)藝術(shù)的文化內(nèi)核與藝術(shù)之美。舞臺上的電光聲色掩飾不了舞臺下的冷清落寞,無論現(xiàn)代傳媒的技術(shù)如何曼妙,始終難以煥發(fā)戲曲這一垂暮老朽的精氣神。二者的融合一直備受詬病。一方面,媒體從業(yè)者逐漸選擇迎合觀眾,在收視率和廣告市場的高壓下,要么放棄,要么娛樂;另一方面,戲曲這一中華文明的瑰寶在現(xiàn)代傳媒日
[Abstract]:The marriage of positive TV and opera has brought irreplaceable dissemination and development to the ancient art of opera for a long time. However, at the same time, the mass media, with its comprehensive and entertaining characteristics, is also dispersing and disintegrating the cultural core and artistic beauty of opera, which is a traditional art. The electro-optic sound on the stage can not hide the desolation under the stage, no matter how wonderful the technology of modern media, it is always difficult to radiate the old spirit of opera. The fusion of the two has been criticized. On the one hand, media practitioners gradually choose to cater to the audience, under the high pressure of ratings and advertising market, either give up or entertain; on the other hand, opera, the treasure of Chinese civilization, is on the modern media day.
【作者單位】： 山西傳媒學院;
【分類號】：G222

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