【摘要】： 數(shù)字信息化時代來勢迅猛,發(fā)展迅速,使得平面設(shè)計(jì)深受影響,變化巨大,甚至連基本工具也有了變更,這就需要對這一時代的平面設(shè)計(jì)重新認(rèn)識,本文嘗試鋪排著從幾個方面予以打量,先回溯平面設(shè)計(jì)之源,審視符號于現(xiàn)代平面設(shè)計(jì)之重要,再看承上啟下的包豪斯平面設(shè)計(jì)在進(jìn)入批量生產(chǎn)時代仍重視手工基礎(chǔ)方面探視對今日平面設(shè)計(jì)之意義,然后從工具、技術(shù)、手段及媒介空間等方面具體探討數(shù)字信息時代的平面設(shè)計(jì),從而深入文化層面,最終試尋出平面設(shè)計(jì)的文化意義。另外,筆者在行文的同時,還盡可能兼顧理論界對當(dāng)今平面設(shè)計(jì)的研討,在盡可能涉獵大量文獻(xiàn)資料的基礎(chǔ)上,選擇集眾家之長、具有代表性的篇章,本著探討的態(tài)度,或贊成,或反對,給出自己的意見,以期使本文在理論上也能有一定的收效。
[Abstract]:With the rapid development and rapid development of the digital information age, graphic design has been deeply affected and changed greatly, and even the basic tools have changed, which requires a new understanding of the graphic design of this era. This paper attempts to review the source of graphic design from several aspects, first look back on the source of graphic design, and examine the importance of symbols in modern graphic design. Then look at the significance of Bauhaus graphic design to today's graphic design in entering the era of mass production, and then probes into the graphic design in the digital information age from the aspects of tools, technology, means and media space, so as to go deep into the cultural level and finally try to find out the cultural significance of graphic design. In addition, while writing, the author also takes into account the theoretical discussion of graphic design as much as possible, on the basis of dabbling in a large number of literature as much as possible, selects the long and representative chapters of the family, gives his own opinions in the light of the attitude of discussion, or agrees with, or opposes, so that this paper can also have a certain effect in theory.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J524

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 任盈盈;數(shù)碼攝影在平面設(shè)計(jì)中應(yīng)用的發(fā)展趨勢[D];西北大學(xué);2012年

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本文編號：2502829