天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁 > 文藝論文 > 廣告藝術(shù)論文 >

法國文化與戛納廣告影片審美取向

發(fā)布時間:2019-04-17 13:37
【摘要】:法國是一個有著悠久歷史和燦爛文化的國家,她的文化包羅萬象,無論是繪畫、文學(xué)、電影、建筑還是美食或時尚,在全世界都享有盛名。法蘭西民族的熱情、浪漫與美都包含在它深厚的文化底蘊中。19世紀(jì)后,巴黎成為歐洲的文化中心,產(chǎn)生了許多新的文化思潮和流派。法國豐富的文化遺產(chǎn)、先進(jìn)的思想體系以及發(fā)達(dá)的經(jīng)濟(jì)致使法國的廣告業(yè)也非常發(fā)達(dá),她是世界五個廣告大國之一,年廣告費在百億元以上,在戛納還有聞名世界的國際廣告節(jié)。因此,可以說法國廣告業(yè)是世界廣告的風(fēng)向標(biāo),法國文化對全球廣告都產(chǎn)生了直接影響。 戛納國際廣告節(jié)被譽為“廣告界的奧林匹克”,這是廣告界的一大盛會,能在廣告節(jié)上獲獎的作品都是全球各廣告作品中的佼佼者。雖然戛納國際廣告節(jié)的作品來自世界各地,評委也來自不同的國家和地區(qū),但由于戛納廣告節(jié)地處法國,受到法國文化的浸染和影響,再加上法國廣告業(yè)極其發(fā)達(dá),所以本文將通過案例分析從三個方面說明法國文化對戛納獲獎廣告影片審美取向的影響。 首先是對法國文化對戛納廣告獲獎影片敘事模式影響的研究,這部分主要是分析獲獎影片主題、情節(jié)、結(jié)構(gòu)和符號的特征,以及法國文化對這些特征的影響。 其次是從戛納獲獎廣告影片的美學(xué)風(fēng)格方面著手,著重敘述法國文化思潮中的浪漫主義風(fēng)格、超現(xiàn)實主義風(fēng)格、后現(xiàn)代主義風(fēng)格以及意識形態(tài)風(fēng)格在戛納獲獎影片中的體現(xiàn)和運用。 復(fù)次是論述法國文化對戛納獲獎廣告影片在創(chuàng)意模式方面的影響,筆者把這些創(chuàng)意模式分為五個原則:美與藝術(shù)至上的原則、觀念至上的原則、性與幽默訴求為中心原則、廣泛運用時尚流行符號元素原則。本文將例證這些原則中要么暗含法國的思想觀念,要么就是有法國流行的元素在其中。 文章最后,將分析戛納廣告節(jié)對我國廣告及全球廣告的積極影響,并通過對法國文化與戛納獲獎影視廣告審美取向研究得出的經(jīng)驗和結(jié)論,對我國廣告及世界影視廣告的發(fā)展提出看法。
[Abstract]:France is a country with a long history and splendid culture, its culture is all-encompassing, whether it is painting, literature, film, architecture, food or fashion, it is famous all over the world. The passion, romance and beauty of the French nation are contained in its profound cultural heritage. After the 19th century, Paris became the cultural center of Europe, producing many new cultural thoughts and schools. With its rich cultural heritage, advanced ideological system and developed economy, France's advertising industry is also very developed. She is one of the five major advertising countries in the world, with an annual advertising cost of more than 10 billion yuan. There is also the world-famous International Advertising Festival in Cannes. Therefore, it can be said that the French advertising industry is the vane of the world advertising, French culture has a direct impact on the global advertising. Cannes International Advertising Festival is known as the "Olympic Games of the Advertising World", which is a grand event in the advertising industry. The winning works at the Advertising Festival are among the best of all advertising works in the world. Although the works of the Cannes International Advertising Festival come from all over the world and the judges come from different countries and regions, because the Cannes Advertising Festival is located in France, it is influenced and influenced by French culture, together with the extremely developed advertising industry in France. So this article will explain the influence of French culture on the aesthetic orientation of Cannes award-winning advertising film from three aspects through the case analysis. The first part is the study of the influence of French culture on the narrative pattern of the award-winning film in Cannes. This part mainly analyzes the theme, plot, structure and symbol characteristics of the winning film, and the influence of French culture on these characteristics. Secondly, it begins with the aesthetic style of the award-winning advertising film in Cannes, focusing on the romantic style and surrealist style in the French cultural trend of thought. The embodiment and application of post-modernism style and ideology style in Cannes award-winning film. The author divides these creative models into five principles: the principle of beauty and art supremacy, the principle of concept supremacy, the principle of sex and humorous appeal as the central principle, and the influence of French culture on the creative mode of Cannes award-winning advertising films. The principle of popular symbol elements in fashion is widely used. This article will illustrate that these principles contain either French ideas or elements that are popular in France. Finally, this article will analyze the positive influence of Cannes Advertising Festival on China's advertising and global advertising, and through the French culture and Cannes award-winning film and television advertising aesthetic orientation research experience and conclusions, To our country advertisement and the world film and television advertisement development puts forward the opinion.
【學(xué)位授予單位】:華東師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:G156.5;J524.3;G206

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 蔡之國;王娟;;廣告?zhèn)鞑ブ械呐孕蜗筇轿鯷J];浙江傳媒學(xué)院學(xué)報;2009年06期

2 趙明明;;我看“娛樂”[J];廣告大觀(媒介版);2006年01期

3 袁琳,張搴;后現(xiàn)代藝術(shù)在時裝廣告中的表現(xiàn)[J];河南機(jī)電高等專科學(xué)校學(xué)報;2005年04期

4 鐘靜;;超現(xiàn)實主義元素在廣告創(chuàng)意中的應(yīng)用——解析超現(xiàn)實主義廣告[J];湖南科技學(xué)院學(xué)報;2009年09期

5 樓旭東;;明星代言廣告與卡通形象廣告比較研究[J];新聞界;2008年01期

6 丁茂芬;;性感廣告創(chuàng)意三步走[J];商場現(xiàn)代化;2009年02期

7 張玉能;;欲望美學(xué)的文論與當(dāng)代中國文論建設(shè)——仿象理論與真實性[J];上海師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2010年02期

8 阮衛(wèi);;試論廣告?zhèn)鬟_(dá)意識形態(tài)信息的方式[J];武漢大學(xué)學(xué)報(人文科學(xué)版);2008年06期

9 劉翠玉;;羅爾斯正義理論的女性主義審視[J];云南行政學(xué)院學(xué)報;2009年02期

10 劉娟綾;;關(guān)于現(xiàn)代影視廣告美學(xué)趨勢的思考[J];藝術(shù)與設(shè)計(理論);2007年06期

相關(guān)碩士學(xué)位論文 前1條

1 張慧彬;當(dāng)代動漫廣告研究初探[D];華中科技大學(xué);2006年

,

本文編號:2459499

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/guanggaoshejilunwen/2459499.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶b0734***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com