后現(xiàn)代廣告設(shè)計(jì)語(yǔ)言的風(fēng)格及其操縱性
發(fā)布時(shí)間:2019-01-17 09:32
【摘要】: 現(xiàn)代社會(huì)是一個(gè)高速發(fā)展的社會(huì),隨著社會(huì)形態(tài)的發(fā)展和不斷變革,在經(jīng)濟(jì)、科技、文化等方面無(wú)一不在發(fā)生著深刻的變化。進(jìn)入二十一世紀(jì),這一趨勢(shì)更加明顯。廣告作為推動(dòng)經(jīng)濟(jì)和文化發(fā)展的一個(gè)重要工具,其變化和發(fā)展也毫不例外,并且在當(dāng)今的社會(huì)發(fā)展中發(fā)揮著更加重要的作用。本文擬對(duì)廣告家族的一個(gè)重要成員——后現(xiàn)代廣告進(jìn)行一次探微。并著重對(duì)后現(xiàn)代廣告的設(shè)計(jì)語(yǔ)言風(fēng)格和構(gòu)建方式,以及后現(xiàn)代廣告對(duì)消費(fèi)者消費(fèi)行為的操縱進(jìn)行了研究和剖析。 說(shuō)起后現(xiàn)代廣告,就不能不說(shuō)“后現(xiàn)代”以及“后現(xiàn)代主義”。因此,本文在第一章和第二章中,簡(jiǎn)單介紹一下什么是后現(xiàn)代、什么是后現(xiàn)代主義,后現(xiàn)代主義的背景、產(chǎn)生和發(fā)展過(guò)程,粗略分析后現(xiàn)代主義的主要特征。接著以“現(xiàn)代”和“后現(xiàn)代”的廣告形式作比較,闡述后現(xiàn)代廣告的主要特征。 廣告存在于商品經(jīng)濟(jì)社會(huì)中。廣告隨著時(shí)代的變遷,其本身的表現(xiàn)形式以及設(shè)計(jì)理念、設(shè)計(jì)手法等方方面面也在隨著經(jīng)濟(jì)和社會(huì)的發(fā)展不斷的發(fā)生著變革。當(dāng)現(xiàn)代社會(huì)中大量同類產(chǎn)品充斥市場(chǎng)的時(shí)候;當(dāng)同類消費(fèi)品之間的差異逐漸已經(jīng)消解、產(chǎn)品本身固有的價(jià)值屬性已經(jīng)顯得微不足道的時(shí)候;當(dāng)消費(fèi)者由對(duì)商品物質(zhì)需求轉(zhuǎn)向?qū)ι唐肪裥枨蟆⑾M(fèi)形態(tài)由最初的物質(zhì)叫賣到精神溝通再到如今的炫耀性消費(fèi)的是時(shí)候,為了能更好的拉動(dòng)消費(fèi),產(chǎn)品品牌與其承載的形象以及商品內(nèi)在的精神文化價(jià)值就變的尤為重要了。于是,廣告的設(shè)計(jì)宣傳形式由“現(xiàn)代”轉(zhuǎn)向“后現(xiàn)代”,后現(xiàn)代廣告就這樣“呼之欲出”了,并且在廣告設(shè)計(jì)中愈演愈烈地把“后現(xiàn)代”的各種特征演繹到了極致。在第三章中,從設(shè)計(jì)語(yǔ)言風(fēng)格和構(gòu)建方式兩個(gè)方面,在對(duì)“現(xiàn)代”和“后現(xiàn)代”的廣告形式的對(duì)比中,闡述后現(xiàn)代廣告設(shè)計(jì)常用的表現(xiàn)手法和主要特征。通過(guò)對(duì)后現(xiàn)代廣告設(shè)計(jì)風(fēng)格和構(gòu)建方式的論述,我們可以初步的了解后現(xiàn)代的廣告形式是如何影響消費(fèi)者并操縱其消費(fèi)行為的。 后現(xiàn)代廣告用它新奇的設(shè)計(jì)手法與特有的設(shè)計(jì)理念操縱了大眾消費(fèi)心理,在第四章中將闡述后現(xiàn)代廣告設(shè)計(jì)如何使用用解脫、情感說(shuō)服、理念灌輸以及視覺(jué)狂歡的說(shuō)服方式為,為消費(fèi)者帶來(lái)前所未有的視聽(tīng)感受與震撼,同時(shí)操縱消費(fèi)者的消費(fèi)行為。當(dāng)消費(fèi)者被后現(xiàn)代廣告中所渲染的情感和營(yíng)造的氛圍打動(dòng)的時(shí)候,消費(fèi)者在不知不覺(jué)中就被感染被同化被說(shuō)服,在廣告人精心設(shè)計(jì)的聲情并茂的廣告語(yǔ)境下心甘情愿的變成了廣告的“俘虜”。 當(dāng)我們陶醉在西方世界后現(xiàn)代廣告所營(yíng)造的美好景象時(shí),我國(guó)的廣告正在承受著西方后現(xiàn)代廣告理念的沖擊,中西文化的差異和碰撞使得中國(guó)廣告在西方消費(fèi)文化和中國(guó)傳統(tǒng)文化的夾縫中生長(zhǎng)蔓延。為此,在第五章,筆者將結(jié)合中國(guó)的本土文化,論述后現(xiàn)代廣告形式在中國(guó)的發(fā)展和境況。 最后,對(duì)全文進(jìn)行總結(jié),并展望后現(xiàn)代廣告的未來(lái)發(fā)展趨勢(shì)。
[Abstract]:The modern society is a high-speed society. With the development and changing of the social form, there is no profound change in economy, science and technology, culture and so on. This trend is more evident in the twenty-first century. As an important tool to promote economic and cultural development, advertising has no exception and plays a more important role in today's social development. In this paper, an important member of the advertising family _ post-modern advertisement is to be explored. The design language style and construction mode of post-modern advertisement, and the manipulation of post-modern advertisement on consumer behavior are studied and analyzed. Speaking of post-modern advertising, we can't stop talking about the 鈥減ost-modern鈥,
本文編號(hào):2409903
[Abstract]:The modern society is a high-speed society. With the development and changing of the social form, there is no profound change in economy, science and technology, culture and so on. This trend is more evident in the twenty-first century. As an important tool to promote economic and cultural development, advertising has no exception and plays a more important role in today's social development. In this paper, an important member of the advertising family _ post-modern advertisement is to be explored. The design language style and construction mode of post-modern advertisement, and the manipulation of post-modern advertisement on consumer behavior are studied and analyzed. Speaking of post-modern advertising, we can't stop talking about the 鈥減ost-modern鈥,
本文編號(hào):2409903
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