【摘要】：英國(guó)學(xué)者邁克·費(fèi)瑟斯通和德國(guó)后現(xiàn)代學(xué)者沃爾夫?qū)ろf爾施的日常生活審美化理論是近年來(lái)學(xué)術(shù)界討論的熱門(mén)話(huà)題。在論爭(zhēng)過(guò)程中,國(guó)內(nèi)學(xué)術(shù)界對(duì)來(lái)自西方的日常生活審美化給予不同的態(tài)度,或批判、或贊同,最終并沒(méi)有達(dá)成一致的觀點(diǎn)。究其原因,在于他們基本上是從審美化的現(xiàn)象層面來(lái)討論這個(gè)問(wèn)題,而沒(méi)有對(duì)它的來(lái)龍去脈進(jìn)行深層次地邏輯分析。因此,日常生活審美化理論在中是否具有存在的可能性,必須從社會(huì)以及理論本身的發(fā)展演變做客觀理性地分析。 從西方理論的發(fā)展演變來(lái)看,自現(xiàn)代社會(huì)以來(lái),眾學(xué)者通過(guò)不同方式對(duì)平庸繁瑣并趨向同質(zhì)化的日常生活進(jìn)行了有力地批判。他們通過(guò)藝術(shù)創(chuàng)作或節(jié)日的狂歡,對(duì)身體欲望的釋放,實(shí)現(xiàn)日常生活的藝術(shù)化,以反抗與超越日常生活,這也意味著藝術(shù)領(lǐng)域的一切活動(dòng)或者概念都將向日常生活轉(zhuǎn)變。與此同時(shí),大眾文化研究,將純粹藝術(shù)理論研究轉(zhuǎn)向了大眾審美文化的研究,表明大眾文化真正得到認(rèn)可。在這一轉(zhuǎn)向的過(guò)程中,個(gè)體對(duì)生活方式的追求成為一種普遍觀念被大眾所接受,成為社會(huì)發(fā)展的一大動(dòng)力。隨著消費(fèi)文化的發(fā)展,這種觀念更是被突顯出來(lái),廣告、媒介等都加入到生活方式的建構(gòu),于是帶有大眾消費(fèi)性質(zhì)審美化出現(xiàn)在我們的日常生活中,日常生活審美化理論由此提出。因此,日常生活審美化理論是生活方式、消費(fèi)主義、生活觀念、社會(huì)整體意識(shí)以及文學(xué)藝術(shù)長(zhǎng)期發(fā)展的結(jié)果,并不是僅僅指審美美化現(xiàn)象本身。這對(duì)于中國(guó)學(xué)術(shù)界關(guān)于日常生活審美化的討論來(lái)說(shuō),無(wú)疑具有重大的啟示。 就中國(guó)的現(xiàn)實(shí)語(yǔ)境而言,科學(xué)技術(shù)的發(fā)展,社會(huì)結(jié)構(gòu)的轉(zhuǎn)型,全球化的進(jìn)程,城市化的推進(jìn),改變了中國(guó)的大眾生活方式與生活觀念,消費(fèi)文化在中國(guó)的大地上急速成長(zhǎng)。消費(fèi)文化在中國(guó)的繁榮,表現(xiàn)出中國(guó)大眾希望積極改變自己的日常生活以及生活方式。大眾的這種強(qiáng)烈欲望以及在催生欲望的廣告的雙重作用下,帶來(lái)中國(guó)社會(huì)的各種變化。無(wú)論是大眾傳媒,還是大眾文化的普及與繁榮,都有力的助長(zhǎng)著消費(fèi)文化的發(fā)展與繁榮。文學(xué)也必然會(huì)隨之發(fā)生改變,文學(xué)市場(chǎng)化、影視化,以及文學(xué)對(duì)社會(huì)現(xiàn)實(shí)生活真實(shí)反映,深深的打上了消費(fèi)文化的烙印。文化、生活方式與文學(xué)的互相發(fā)展,最終會(huì)帶來(lái)日常生活審美化的出現(xiàn)。文化研究被中國(guó)學(xué)術(shù)界作為反主流文化的引進(jìn),又為大眾文化以及當(dāng)下消費(fèi)文化存在的合理性給予理論支持。那么,為對(duì)社會(huì)現(xiàn)實(shí)給予積極回應(yīng),日常生活審美化作為理論必然被引進(jìn)中國(guó)。
[Abstract]:The aesthetic theory of daily life proposed by British scholar Mike Featherstone and German postmodern scholar Wolfgang Welch is a hot topic in academic circles in recent years. In the process of controversy, the domestic academic circles give different attitudes to the aesthetics of daily life from the West, or criticize, or agree, and finally do not reach a consensus point of view. The reason lies in the fact that they discuss this problem from the aspect of aesthetic phenomenon, and do not carry on deep logic analysis to its origin and course. Therefore, the possibility of the existence of the aesthetic theory of daily life must be analyzed objectively and rationally from the development and evolution of the society and the theory itself. From the point of view of the development and evolution of western theories, since the modern society, the scholars have criticized the mediocre, tedious and homogenized daily life in different ways. Through artistic creation or festival carnival, they release their body desire and realize the art of daily life, in order to resist and transcend daily life, which also means that all activities or concepts in the field of art will be changed to daily life. At the same time, the study of popular culture turns the theoretical study of pure art to the study of popular aesthetic culture, which shows that popular culture is really recognized. In the process of this turn, the individual pursuit of life style has become a universal concept accepted by the public, and become a major driving force of social development. With the development of consumer culture, this concept is even more prominent, advertising, media and so on are added to the construction of the way of life, so aestheticized with the nature of mass consumption appears in our daily life. The aesthetic theory of daily life is put forward. Therefore, the aesthetic theory of daily life is the result of the long-term development of lifestyle, consumerism, concept of life, social consciousness and literature and art, not just the phenomenon of aesthetic beautification itself. This will undoubtedly have great enlightenment for the discussion of the aesthetic of daily life in Chinese academic circles. As far as China is concerned, the development of science and technology, the transformation of social structure, the process of globalization and the promotion of urbanization have changed the way of life and the concept of life of the masses in China, and the consumption culture has grown rapidly in China. The prosperity of consumer culture in China shows that the Chinese people want to change their daily life and way of life. The strong desire of the masses and the double action of advertising which gave birth to desire brought all kinds of changes in Chinese society. Both the mass media and the popularity and prosperity of mass culture can promote the development and prosperity of consumer culture. Literature is bound to change, literature marketization, film and television, as well as the real reflection of the real life of the literature, deeply marked with the brand of consumer culture. The mutual development of culture, lifestyle and literature will eventually bring about the appearance of aesthetics in daily life. Cultural research is introduced by Chinese academic circles as anti-mainstream culture, and it also provides theoretical support for the rationality of the existence of mass culture and current consumption culture. In order to respond positively to the social reality, the aesthetics of daily life must be introduced into China.
【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：I207.42

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本文編號(hào)：2225593