【摘要】： 中國的漢字,從甲骨文、金文、篆體、隸書、楷書,行書,一直到宋體字,具有悠久的歷史,形成了漢字特有的藝術(shù)風(fēng)格。 從19世紀(jì)初期開始,伴隨中國社會的急劇變革,中國的傳統(tǒng)美術(shù)字也經(jīng)受了極大的沖擊。這個時期,傳統(tǒng)字體不論在藝術(shù)形式,還是在創(chuàng)作理念上,都開始有所變化,傳統(tǒng)的美術(shù)字在繼承的基礎(chǔ)上發(fā)展、變革與創(chuàng)新,中國現(xiàn)代美術(shù)字逐漸脫胎于現(xiàn)代商業(yè)美術(shù)。 中國現(xiàn)代美術(shù)字萌芽、產(chǎn)生與流變,緊密結(jié)合晚清社會到民國時期的社會商業(yè)、文化的變革以及技術(shù)的進(jìn)步等因素,并通過不同發(fā)展階段的美術(shù)字變遷的形態(tài)對比,探究傳統(tǒng)美術(shù)字向現(xiàn)代美術(shù)字轉(zhuǎn)變的規(guī)律。 在研究中發(fā)現(xiàn),中國美術(shù)字受到現(xiàn)代印刷出版技術(shù)的影響,開始初具現(xiàn)代形態(tài)。中國現(xiàn)代美術(shù)字在近現(xiàn)代商業(yè)廣告中孕育,在現(xiàn)代民族工商業(yè)中產(chǎn)生,在20年代以后不斷發(fā)展。在這個過程的背后,實質(zhì)上是中西審美文化、社會生活碰撞交融的過程。
[Abstract]:Chinese characters, from Oracle, Jin, Zhuan, Li, regular script, running script, to the Song style, have a long history, forming the unique artistic style of Chinese characters. Since the beginning of the 19 th century, with the rapid change of Chinese society, Chinese traditional art characters have also suffered a great impact. In this period, both in the form of art and in the concept of creation, the traditional art characters began to change. The traditional art characters developed, changed and innovated on the basis of inheritance. Chinese modern art characters were gradually born out of modern commercial art. The emergence and evolution of Chinese modern art characters are closely combined with the factors of social commerce, cultural change and technological progress during the period from the late Qing Dynasty to the Republic of China, and through the contrast of the forms of the changes of the fine arts characters in different stages of development. Explore the law of the transformation from traditional art words to modern art words. In the study, it was found that Chinese art characters, influenced by modern printing and publishing technology, began to take a modern form. Chinese modern art characters were conceived in modern commercial advertisements, produced in modern national industry and commerce, and developed continuously after 1920s. Behind this process, it is the process of collision of Chinese and Western aesthetic culture and social life.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J524

【引證文獻(xiàn)】

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1 章霞;民國時期書刊封面中漢字設(shè)計研究[D];中國美術(shù)學(xué)院;2011年

2 田煜;宋體字的造型結(jié)構(gòu)特征探析[D];西安工程大學(xué);2012年

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本文編號：2223768